My Dracula

“A great awe came on all as they realised that the ship, as if by a miracle, had found the harbour, unsteered save by the hand of a dead man! However, all took place more quickly than it takes to write these words. The schooner paused not, but rushing across the harbour, pitched herself on that accumulation of sand and gravel washed by many tides and many storms into the southeast corner of the pier jutting under the East Cliff, known locally as Tate Hill Pier.

There was of course a considerable concussion as the vessel drove up on the sand heap. Every spar, rope, and stay was strained, and some of the `top-hammer’ came crashing down. But, strangest of all, the very instant the shore was touched, an immense dog sprang up on deck from below, as if shot up by the concussion, and running forward, jumped from the bow on the sand.”

 

1992

He really is quite the dude, and could take you quite easily, just look into his eyes.

Drawn about 1 year before Gary Oldman turned the character into pantomime dame.

My world is all heat and flies at the moment, can’t you tell?

Here’s to old friends.

Fortune: “You guys are all the same!”

Fudge: Introduction

Fudge came along in the early nineties.

His bags were packed and he was ready to move in.

I have so far sketched out around 20 to 30 stories with him in, and they all generally follow a similar pattern.

This first story, (which I will begin posting next week) was originally printed in a Slovenian magazine called Stripburger in 1997.

It was heavily influenced by the work of HundertwasserAdolf Woelfli and Chris Ware.

He’s a kind of cross between Ted Hughes’ CrowHannibal Lecter and Clarence Oddbody from It’s a Wonderful Life.

You In?

Fortune: “This kiss is for the first time, and this kiss is for that time”