Rest in peace, Nelson Mandela, born 18 July 1918, died 5 December 2013

 

The Top 10 Nelson Mandela Quotes on Education

  1. Young people must take it upon themselves to ensure that they receive the highest education possible so that they can represent us well in future as future leaders.
  2. Not a day goes by when I don’t read every newspaper I can lay my hands on, wherever I am.
  3. Without language, one cannot talk to people and understand them; one cannot share their hopes and aspirations, grasp their history, appreciate their poetry, or savour their songs.
  4. No country can really develop unless its citizens are educated.
  5. Education is the great engine of personal development. It is through education that the daughter of a peasant can become a doctor, that the son of a mineworker can become the head of the mine, that a child of farm workers can become the president of a great nation. It is what we make out of what we have, not what we are given, that separates one person from another.
  6. There are certain precautions you should take to prepare yourself for a fruitful study career. You must brush up your knowledge through systematic reading of literature and newspapers.
  7. Discussion sharpens one’s interest in any subject and accordingly inspires reading and corrects errors.
  8. Education is the most powerful weapon which you can use to change the world.
  9. A good head and good heart are always a formidable combination. But when you add to that a literate tongue or pen, then you have something very special.
  10. One of the things I learned when I was negotiating was that until I changed myself, I could not change others.

And one more to make you smile: ‘Appearances matter — and remember to smile.’

reblogging Amanda Patterson for Writers Write

The dumbest generation? No, Twitter is making kids smarter

“It used to be that students did comparatively little writing out of school; even if you were in university, there was little call for it, and few vehicles to showcase your writing. But now, as Prof. Lunsford’s research has found, 40 per cent of all writing is done outside the classroom – it’s “life writing,” stuff students do socially, or just for fun. And it includes everything from penning TV recaps to long e-mail conversations to arguments on discussion boards.

“They’re writing more than any generation before,” she says. The members of “dumbest generation” aren’t just passively consuming media any more. They’re talking back to it.”

“But technology doesn’t just make students better writers or more fluent. Digital tools also let them communicate easily with others – their peers, their friends and the world at large. And this, it turns out, can make them even more powerfully motivated to become genuinely (and wittily) literate.”

Clive Thompson

— via eush

Process and success

“Again and again I therefore admonish my students in Europe and America: Don’t aim at success – the more you aim at it and make it a target, the more you are going to miss it. For success, like happiness, cannot be pursued; it must ensue, and it only does so as the unintended side effect of one’s personal dedication to a cause greater than oneself or as the by-product of one’s surrender to a person other than oneself. Happiness must happen, and the same holds for success.”

Victor Frankl

via notational

The Prologue to Bertrand Russell’s Autobiography

“What I Have Lived For

Three passions, simple but overwhelmingly strong, have governed my life: the longing for love, the search for knowledge, and unbearable pity for the suffering of mankind. These passions, like great winds, have blown me hither and thither, in a wayward course, over a great ocean of anguish, reaching to the very verge of despair.
I have sought love, first, because it brings ecstasy – ecstasy so great that I would often have sacrificed all the rest of life for a few hours of this joy. I have sought it, next, because it relieves loneliness—that terrible loneliness in which one shivering consciousness looks over the rim of the world into the cold unfathomable lifeless abyss. I have sought it finally, because in the union of love I have seen, in a mystic miniature, the prefiguring vision of the heaven that saints and poets have imagined. This is what I sought, and though it might seem too good for human life, this is what—at last—I have found.

With equal passion I have sought knowledge. I have wished to understand the hearts of men. I have wished to know why the stars shine. And I have tried to apprehend the Pythagorean power by which number holds sway above the flux. A little of this, but not much, I have achieved.

Love and knowledge, so far as they were possible, led upward toward the heavens. But always pity brought me back to earth. Echoes of cries of pain reverberate in my heart. Children in famine, victims tortured by oppressors, helpless old people a burden to their sons, and the whole world of loneliness, poverty, and pain make a mockery of what human life should be. I long to alleviate this evil, but I cannot, and I too suffer.

This has been my life. I have found it worth living, and would gladly live it again if the chance were offered me.”

via

On support and attribution..

“Yes. Please, please support the artists who make the songs and stories and pictures and dance and theatre that move you. If you appreciate their art, and you can afford to do so, please *buy* that art. But even if you can’t afford to buy their work, then talk about it, share it, celebrate it in some fashion that respects and values the artist as well as the art. Give them credit. Say their names.”

Meredith Yayanos

I Need My Pain

This Kirk talk was reminded to me from a previous post.

There is a definite theme here. Possibly against some of the perceived nullifying effects of old school psychotherapy?

For some reason, though, in my head it happened in TOS and Kirk was pretty much talking to himself, resisting effects of a creature that had come onboard and was removing all psychological trauma of the crew. Kirk was the last. It was one of those episode where Spock turns into a hippy.

Can anyone confirm this?

Brian Eno on Art, Confidence, and How Attention Creates Value

“Stop thinking about art works as objects, and start thinking about them as triggers for experiences. (Roy Ascott’s phrase.) That solves a lot of problems: we don’t have to argue whether photographs are art, or whether performances are art, or whether Carl Andre’s bricks or Andrew Serranos’s piss or Little Richard’s ‘Long Tall Sally’ are art, because we say, ‘Art is something that happens, a process, not a quality, and all sorts of things can make it happen.’ … [W]hat makes a work of art ‘good’ for you is not something that is already ‘inside’ it, but something that happens inside you — so the value of the work lies in the degree to which it can help you have the kind of experience that you call art.”

Brian Eno

“10 Things I’ve Learned In The 2 Years Since I Graduated From Art School”

reblogging samspratt:

“I graduated from art school 2 years ago, here are some things I think I’ve learned. In the words of my current client, Donald Glover: “I’m not saying this thing is true or not, I’m just saying it’s what I learned.”

  1. Creativity Is Recession Proof” were the words plastered over the novelty T-shirt I bought in college, and it turned out to be the most honest piece of clothing I have ever, and likely will ever own. Sadly… it also shows my nipples.

  2. The Internet is the world’s most powerful tool. With great power, comes… you know the rest… or maybe you don’t, since you’re scrolling through facebook or tumblr. The way you share creations is almost as important as the creations themselves.

  3. Advertising is worth the shame. My first illustration job out of college paid 20 dollars an image – a feeling not unlike getting mugged by a paraplegic sloth – yet every time those 20 dollars filled an empty wallet, my name and sites were sent off into the ether to hundreds of thousands, if not millions, of people. Now some of those people pay me 100x-1000x that for illustrations. Why? Maybe because I make nice things, but more likely? Because with every underpaid image I made, I made someone, somewhere, remember my name.

  4. Don’t “fuck the haters”, embrace the hivemind. The “haters” will come in many forms: sometimes with criticism based on personal preference, sometimes with nonsensical attacks that seem like youtube commenter vomit, and sometimes with actual advice disguised as “hate”, saying what you’re doing wrong and what you could be doing better. Not everyone is a sage, not everyone is right, but they areworth listening to, if only to put a pin in to see if you hear something like that again. You will literally never be above improvement. There is no plateau, keep climbing, and pay attention to what’s around you, even the guy shouting through a megaphone while jackhammering directly underneath a potential avalanche.

  5. Waiting for inspiration is like waiting at the DMV: It lasts forever and if you don’t know enough, you’ll probably still fail at the end. Nike your problems away by just doing it… “it” being something. You can wait and wait for good ideas, you can consume books, magazines, websites, and music by the truckload, desperate for something to trigger some sort of eureka moment, but if you just write your shitty lyric down, lay your shitty brush stroke down, or take your shitty photo, you’re on the right to track to actually making something good. I have made many terrible things, some of which remain terrible but served as stepping stones to better things, some I transformed into rather nice things, and I learned more about myself, the world, my work, technique, appeal, and a million other tiny factors from simply doing something, even when it failed.

  6. Work to play. Be an idiot when you’re young, like… college-young. I was quite an idiot in college but I could have been even more of one and probably have been just fine. However, when you leave… leave the party there. If you give up a lot when you leave your childhood behind, and put your all into boring grown-up things like “work”, “money”, and “responsibility”, it genuinely doesn’t take much time to get the freedom you had in college back. The only difference is that instead of keeping the party going to distract yourself from a job you hate and rent you can barely pay, you can kick back and enjoy the party when you choose to on your own terms, if you even care about doing so at all. In other words: Stop it with this YOLO nonsense, why you are taking a filthy-rich, diamond-selling recording artist who was on a Canadian TV show’s acronym of wisdom to mean: “be an idiot always and forever because fuck it, I’m young”, is beyond me. He worked hard to be able to wear $6000 socks, he didn’t “You Only Live Once” his way to them.

  7. There are a lot of people more talented than you, that’s something you should know, but never accept. I’m regularly embarrassed by the quality of my work when I look at the hordes of artists superior to me, but you have time to spend, knowledge to gain, and skills to practice for the rest of your life. Your place amongst the world has no finality to it, you can always be more.

  8. A friend who will stab you with a knife in the front is worth your weight in unicorn blood. Friends will back pat and backstab, occasionally becoming bloat and baggage, but if you should be so lucky as to find a person who cares about your success enough that they will outwardly knock you down a peg or ten with the truth so that you can better yourself, don’t toss them for the easier friend. Even lone-wolf-alpha-dog-max-payne-type people need a little help along the way.

  9. Karma is a pretty damn good business model. I have hunted for clients before. I have barked up their trees, aggressive and hungry for work, failing to get it every time. I have also done a lot of personal work, just for fun, but executed seriously. Many of these would be labelled as “fan art” – depictions of pop-culture icons with my own odd twist that I put out into the world – some of which I pour dozens of hours into. Traditionally, when I finish work with a client, I ask: “So, how did you find me?” almost every time the answer is: work of mine they saw on the web that I did for shits and giggles. I put good in, and in time (thanks to item #2), I get good out. There is no science or stability to this beyond the notion that if you work hard enough and if you can make your work seen, you will be rewarded. These are the naive musings of a 23 year-old, remember?

  10. “Art” is a shitty word that people will tack on to anything these days. Just focus on creating, whatever that may be, however that may be, do it well, and do it because you love it.”

(Source: samspratt)

via adullblog

1975, talking to Michael Sragow, then the film critic for the San Francisco Examiner.

“I think we all have this little theatre on top of our shoulders, where the past and the present and our aspirations and our memories are simply and inexorably mixed. What makes each one of us unique is the potency of the individual mix.

“We can make our lives only when we know what our lives have been. And drama is about how you make the next moment. It’s like when you’re watching a sporting event, like a soccer game here; when it’s going on, you don’t know what’s going to happen. But all the rules are laid down.

“I don’t make the mistake that high culture mongers do of assuming that because people like cheap art, their feelings are cheap, too. When people say, ‘Oh listen, they’re playing our song,’ they don’t mean, ‘Our song, this little cheap tinkling, syncopated piece of rubbish is what we felt when we met.’ What they saying is ‘That song reminds us of the tremendous feeling we had when we met.’ Some of the songs I use are great anyway but the cheaper songs are still in the direct line of descent from David’s Psalms. They’re saying, ‘Listen, the world isn’t quite like this, the world is better than this, there is love in it,’ ‘There’s you and me in it’ or ‘The sun is shining in it.’

“So called dumb people, simple people, uneducated people, have as authentic and profound a depth of feeling as the most educated on earth. And anyone who says different is a fascist.”

Dennis Potter