The Somme In Seven Poems

InParenthesisC

Due to circumstances documented elsewhere on this website it had escaped my notice that the short film The Somme In Seven Poems had become available on Vimeo.

These animations were produced by BDH to illustrate and accompany the poetry featured in the BBC’s 90 minute documentary War of Words: Soldier Poets of the Somme, which aired last November on BBC2.

This compilation was put together as a teaser for the full length documentary  and released on the iPlayer the weekend of Rememberance Day.

Making these animations was a very humbling privilege, and a hefty responsibility, and we hope they are a fitting tribute to the people who saw and experienced things thankfully most of us only have to imagine.

A great big thanks to Hugh Cowling and Libby Redden who contributed so much to the finished work.

Embedded below is a trailer for the short.

The Somme In Seven Poems can be viewed directly on Vimeo.

 

“Get stuck in and change it”

“If you think academies are a red herring, a partial and inconsistent solution to a problem that has been wrongly framed, then you need to somehow respond to this; choose a school that is still local authority-controlled, and support it to stay that way. Or become a governor of an academy, to uphold the values that you loved in community schools: that they serve the whole community.”

Zoe Williams

20 years of BDH

Celebrating their 20th year in 2015, BDH has long been at the cutting edge of British television – directing commercials, creating brand identities, music visuals and motion graphics.

Join the Royal Television Society for a rare opportunity to ask local heroes BDH, one of the most awarded digital creative teams in the UK, to reveal their secrets in this special panel discussion.

Yes, there are a few more tickets left for a twentieth anniversary “In Conversation” evening with my employers, Steve, John and Rob (The B, the D and the H, in that order) to be held tomorrow evening at 6pm at the Watershed. Lynn Barlow, Chair of the Royal Television Society in Bristol will be interviewing them and taking us through the highlights of their work over the years. Bookings can be made through the Watershed website.

Félix Vallotton, Intimacies (Intimités), 1898


Félix Vallotton, Intimacies (Intimités), 1898

Félix Vallotton, Intimacies (Intimités), 1898

Félix Vallotton, Intimacies (Intimités), 1898

Félix Vallotton, Intimacies (Intimités), 1898

Félix Vallotton, Intimacies (Intimités), 1898

Félix Vallotton, Intimacies (Intimités), 1898



Félix Vallotton, Intimacies (Intimités), 1898

Félix Vallotton, Intimacies (Intimités), 1898

Félix Vallotton, Intimacies (Intimités), 1898

Félix Vallotton, Intimacies (Intimités), 1898

The Van Gogh Museum:

“From the moment they were printed, the series of woodcuts with the title Intimités was considered to be a prestigious project. When the avant-garde publication La Revue blanche printed the series in an exclusive edition of 25 in 1898, the modern art of printmaking was more popular than ever in the Paris art world. Among his fellow printmakers, Félix Vallotton was one of the most renowned artists. He was recognized as an innovator of the medium of the woodcut and his prints dating from 1896 to 1898 are the culmination of his career.

“Intimités has always been recognized as his most impressive work and even in his own time they were already more appreciated than his paintings. With these ten dark woodcuts, their black surfaces cut through by a few white lines, Vallotton probed the emotional lives of the Paris bourgeoisie. He portrayed the eternal struggle between man and woman by means of theatrical scenes and suggestive titles, such as The Lie, The Money and The Irreparable. Vallotton brought to the surface his cynical view on love. Women are portrayed as superficial, calculating creatures: cruel, insatiable and triumphing.”

reblogged from austinkleon