Egon Schiele (1890 – 1918)

Death and The Maiden
“Death and the Woman,” painted in 1915.
Self=portrait 1914.
Self portrait 1914.
Vier Bäume (Kastanienallee im Herbst)
Vier Bäume (Kastanienallee im Herbst)
Mutter mit zwei kindern II. Egon Schiele 1915. Leopold Museum, Wien
Mutter mit zwei kindern II. Egon Schiele 1915. Leopold Museum, Wien
Sitzende Frau mit hochgezogenem Knie 1917
Sitzende Frau mit hochgezogenem Knie 1917
Häuser mit bunter Wäsche (Vorstadt II)
Häuser mit bunter Wäsche (Vorstadt II)
Heinrich Benesch and his son Otto 1913
Heinrich Benesch and his son Otto 1913
Autumn Trees
Autumn Trees
Portrait of Karl Zakousek
Portrait of Karl Zakousek
Self-portrait 1912
Self-portrait 1912

Happy Birthday Mr. Lynch

image via

Yesterday, as well as being New President Day, it was the birthday of illustrious film maker David Lynch.

I recently finished reading his book “Catching the Big Fish“, a very personal account of his approach to creativity, and the role that meditation plays in it.

I have often felt that techniques like meditation may result in bland art, due to lack of “pain”, a deluded idea partly inspired by Captain Kirk (I’ll explain another time). Mr Lynch is a very good example of how this is not the case.

In the book he writes:

“Anger and depression and sorrow are beautiful things in a a story, but they’re like poison for the film maker or artist. They’re like a vice grip on creativity. If you’re in that grip you can hardly get out of bed, much less experience the flow of creativity and ideas. You must have clarity to create. You have to be able to catch ideas.”

Here is a little seen, very short film by Mr Lynch:

movie via Attentiondeficitdisorderly Too Flat

Belated birthday greetings to you, Mr Lynch.

Walton Ford


audobon

‘An enthusiast of the watercolors of Audubon, Ford celebrates the myth surrounding the renowned naturalist-painter while simultaneously repositioning him as an infamous anti-hero who, in reality, killed more animals than he ever painted. Each of Ford’s animal portraits doubles as a complex, symbolic system, which the artist layers with clues, jokes, and erudite lessons in colonial literature and folktales.’

  — via Ingoing

Too Art For TV

ta4tv08-front
I’m having some work shown at the excellent “Too Art For TV” exhibition held at Erebuni, 158 Roebling Street, Williamsburg, New York.The opening is a week today (6-9pm 5th Dec)and the exhibition runs from 5th until the 15th Dec. The idea is to show work by industry animators who do art on the side:
“Erebuni is pleased to present Too Art for TV 3, the third annual group exhibition showcasing the fine art expressions of the animation industry. Twice before, this show has drawn in excited, elbow-to-elbow crowds of artists, illustrators, filmmakers, animators, and fans of animation. This year’s exhibit, now the biggest one in Too Art for TV’s history, features 36 artists who- by way of toys, prints, paintings, sculptures, and experimental film- will set free their skills otherwise “owned” by television networks bosses.”
If you’re in town please check it out. You can see from the website that there’ll be lots of exciting stuff to see, made by people far more talented and interesting than myself.

One Hundredth Person

My Tumble Log is an ongoing collection of interesting stuff I stumble across on the internet, a commentary-free, instinctive train of randomness. It’s very self indulgent, and mainly focuses on alternative comics, interesting animation and new music, because that’s what I like, but the main aim is not to think it through too much, and just go with what feels right, because, as I may have mentioned before, I don’t have much spare time to lark about on the internet.
One hundred people have now seen fit to follow what goes on this tumblelog, which is very humbling, and also makes me feel slightly frightened, in a nice way, though.
Thanks to you 100 mostly strangers for the support.
You can also find it on Tumblr’s Artists page.
Trumpet blowing ended.