1975, talking to Michael Sragow, then the film critic for the San Francisco Examiner.

“I think we all have this little theatre on top of our shoulders, where the past and the present and our aspirations and our memories are simply and inexorably mixed. What makes each one of us unique is the potency of the individual mix.

“We can make our lives only when we know what our lives have been. And drama is about how you make the next moment. It’s like when you’re watching a sporting event, like a soccer game here; when it’s going on, you don’t know what’s going to happen. But all the rules are laid down.

“I don’t make the mistake that high culture mongers do of assuming that because people like cheap art, their feelings are cheap, too. When people say, ‘Oh listen, they’re playing our song,’ they don’t mean, ‘Our song, this little cheap tinkling, syncopated piece of rubbish is what we felt when we met.’ What they saying is ‘That song reminds us of the tremendous feeling we had when we met.’ Some of the songs I use are great anyway but the cheaper songs are still in the direct line of descent from David’s Psalms. They’re saying, ‘Listen, the world isn’t quite like this, the world is better than this, there is love in it,’ ‘There’s you and me in it’ or ‘The sun is shining in it.’

“So called dumb people, simple people, uneducated people, have as authentic and profound a depth of feeling as the most educated on earth. And anyone who says different is a fascist.”

Dennis Potter

Slouching Towards Bethlehem

“There is a common superstition that “self-respect” is a kind of charm against snakes, something that keeps those who have it locked in some unblighted Eden, out of strange beds, ambivalent conversations, and trouble in general. It does not at all. It has nothing to do with the face of things, but concerns instead a separate peace, a private reconciliation.”

Joan Didion

An Englishman in New York

“Persistence is your greatest weapon. It is in the nature of barriers that they fall. Do not seek to become like your opponents. You’ll have the burden and the great joy of being outsiders. Every day you live is a kind of triumph. This you should cling on to. You should make no effort to try and join society. Stay right where you are. Give your name and serial number and wait for society to form itself around you because it most certainly will. Neither look forward where there is doubt nor backward where there is regret. Look inward and ask not if there is anything outside that you want but whether there is anything inside you have not yet unpacked.”

Quentin Crisp (maybe)

Dearest absurd child

“I am perhaps happier now than I have ever been and yet I cannot but recognise that I would trade all that I am to be you, the eternally unhappy, nervous, wild, wondering and despairing 16-year-old Stephen: angry, angst-ridden and awkward but alive. Because you know how to feel, and knowing how to feel is more important than how you feel. Deadness of soul is the only unpardonable crime, and if there is one thing happiness can do it is mask deadness of soul.”

Stephen Fry’s letter to his 16-year-old self

via Mabel