Film vs Comics

One of my big objections to film as a medium is that it’s much too immersive, and I think that it turns us into a population of lazy and unimaginative drones. The absurd lengths that modern cinema and its CGI capabilities will go in order to save the audience the bother of imagining anything themselves is probably having a crippling effect on the mass imagination. You don’t have to do anything. With a comic, you’re having to do quite a lot. Even though you’ve got pictures there for you, you’re having to fill in all the gaps between the panels, you’re having to imagine characters voices. You’re having to do quite a lot of work. Not quite as much work as with a straight unillustrated book, but you’re still going to do quite a lot of wo-rk.

I think the amount of work we contribute to our enjoyment of any piece of art is a huge component of that enjoyment. I think that we like the pieces that engage us, that enter into a kind of dialog with us, whereas with film you sit there in your seat and it washes over you. It tells you everything, and you really don’t need to do a great deal of thinking. There are some films that are very, very good and that can engage the viewer in their narrative, in its mysteries, in its kind of misdirections. You can sometimes get films where a lot of it is happening in your head. Those are probably good films, but they’re not made very much anymore.

Alan Moore

Jack Kerouac’s 30 Beliefs and Techniques For Writing Modern Prose

  1. Scribbled secret notebooks, and wild typewritten pages, for yr own joy
  2. Submissive to everything, open, listening
  3. Try never get drunk outside yr own house
  4.  Be in love with yr life
  5. Something that you feel will find its own form
  6. Be crazy dumbsaint of the mind
  7. Blow as deep as you want to blow
  8. Write what you want bottomless from bottom of the mind
  9. The unspeakable visions of the individual
  10. No time for poetry but exactly what is
  11. Visionary tics shivering in the chest
  12. In tranced fixation dreaming upon object before you
  13. Remove literary, grammatical and syntactical inhibition
  14. Like Proust be an old teahead of time
  15. Telling the true story of the world in interior monolog
  16. The jewel center of interest is the eye within the eye
  17. Write in recollection and amazement for yourself
  18. Work from pithy middle eye out, swimming in language sea
  19. Accept loss forever
  20. Believe in the holy contour of life
  21. Struggle to sketch the flow that already exists intact in mind
  22. Dont think of words when you stop but to see picture better
  23. Keep track of every day the date emblazoned in yr morning
  24. No fear or shame in the dignity of yr experience, language & knowledge
  25. Write for the world to read and see yr exact pictures of it
  26. Bookmovie is the movie in words, the visual American form
  27. In praise of Character in the Bleak inhuman Loneliness
  28. Composing wild, undisciplined, pure, coming in from under, crazier the better
  29. You’re a Genius all the time
  30. Writer-Director of Earthly movies Sponsored & Angeled in Heaven”

connect the pieces

“Folk songs were the way I explored the universe. They were pictures, and the pictures were worth more than anything I could say. I knew the inner substance of the thing. I could easily connect the pieces. Most of the other performers tried to put themselves across, rather than the song. But I didn’t care about doing that. With me it was about putting the song across.”

– Bob Dylan (Chronicles (Volume One))

How To Write a Movie

1. Write a play instead
2. Do the title first
3. Read it to people
4. Forget the three-act structure
6. Don’t write excuse notes
7. Avoid the German funk trap
8. Do a favourite bit
9. Cast it in your head
10. Learn to love rewrites
11. Don’t wait for inspiration
12. Celebrate your invisibility
13. Read, read, read, read, read

Frank Cottrell Boyce