Where do you see the film fitting within the spectrum from news to documentary?

“In Syd Field’s book about screenwriting, he said to take a phrase that must sing throughout the film and tape it to your typewriter. And here that phrase is “Europe smashed the first left government in modern history. The politicians made mistakes, but the people were always really strong.” That’s what it’s about.”

Interview With Paul Mason, Producer of #ThisIsACoup

Intermittently Regular #365 Sketch Project Update 117-123

Limped through Autumn. Working on health a bit more now. Can’t do any harm.

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The rest can be seen here.

117/365 Recently rediscovered missing parts of a vintage 16mm projector, the rest of which was donated to a beloved local cinema some 14 years ago. I've been in touch and fingers crossed all the component parts will be reunited soon. Uniball. 10 mins Notebook: Ethel
117/365
Recently rediscovered missing parts of a vintage 16mm projector, the rest of which was donated to a beloved local cinema some 14 years ago. I’ve been in touch and fingers crossed all the component parts will be reunited soon.
Uniball.
10 mins
Notebook: Ethel
118/365 Lunchtime sequential drawing of a random member of the white wire brigade enjoying the Indian Summer in various states of smart phone reading. Uniball 10 mins Notebook: Artemis (homemade)
118/365
Lunchtime sequential drawing of a random member of the white wire brigade enjoying the Indian Summer in various states of smart phone reading.
Uniball
10 mins
Notebook: Artemis (homemade)

 

119/365Horses and riders at this weekend's lesson. Drawn without looking (no glasses). Tried to pick up the pace on the second page. Will try and Vine these as an animation when I get the chance. 45 mins Blue Stabilo point 88. Notebook: Ethel
119/365 Horses and riders at this weekend’s lesson. Drawn without looking (no glasses). Tried to pick up the pace on the second page. Will try and Vine these as an animation when I get the chance.
45 mins
Blue Stabilo point 88.
Notebook: Ethel

Horse drawings from daily sketch 119/365 animated.

A video posted by Paul Greer (@burningfp) on

120/365
120/365  Selection of barns and various farm building near Tickenham, North Somerset. Drawn whilst hiding in the car from the cold. V-Ball. Notebook: Ethel. 20 mins
121/365 Windows on Whiteladies Road. There's plenty, I could do a whole book of these. Uniball micro. Notebook: Ethel Approx 20 mins intermittent whilst waiting for playblast renders.
121/365
Windows on Whiteladies Road. There’s plenty, I could do a whole book of these.
Uniball micro.
Notebook: Ethel
Approx 20 mins intermittent whilst waiting for playblast renders.
122/365 @mrtimmytimtim's coat hanging on the second floor door at BDH. Just tipped a third of the way through btw. Straight to Uniball. Notebook: Ethel Cumulatively about 15 mins.
122/365
@mrtimmytimtim‘s coat hanging on the second floor door at BDH.
Just tipped a third of the way through btw.
Straight to Uniball.
Notebook: Ethel
Cumulatively about 15 mins.
123/365 Saplings in Leigh Woods. About 10 mins all in. Notebook: Artemis. Uniball micro.
123/365
Saplings in Leigh Woods.
About 10 mins all in.
Notebook: Artemis.
Uniball micro.
124/365 Architectural detail, Bristol Temple Meads Railway Station. Waiting on Platform 5, sllightly hungover. There is no Platform 14. 15 mins V-ball Notebook: Artemis
124/365
Architectural detail, Bristol Temple Meads Railway Station.
Waiting on Platform 5, sllightly hungover.
There is no Platform 14.
15 mins
V-ball
Notebook: Artemis

(f,t,T,g)

“There are certain things I do if I sit down to write,”

“I have a glass of water or a cup of tea. There’s a certain time I sit down, from 8:00 to 8:30, somewhere within that half hour every morning,” he explained. “I have my vitamin pill and my music, sit in the same seat, and the papers are all arranged in the same places. The cumulative purpose of doing these things the same way every day seems to be a way of saying to the mind, you’re going to be dreaming soon”


The Daily Habits of Famous Writers: Franz Kafka, Haruki Murakami, Stephen King etc.

(t)

Cinema Is a Mosaic Made of Time

“There are two basic categories of film directors. One consists of those who seek to imitate the world in which they live, the other of those who seek to create their own world. The second category contains the poets of cinema, Bresson, Dovzenko, Mizoguchi, Bergman, Buñuel and Kurosawa, the cinema’s most important names. The work of these film-makers is difficult to distribute: it reflects their inner aspirations, and this always runs counter to public taste. This does not mean that the film-makers don’t want to be understood by their audience. But rather that they themselves try to pick up on and understand the inner feelings of the audience.”

Andrei Tarkovsky