Author: Paul Greer
Intimacy Show In Brooklyn
Some friends have work showing tonight (August 22nd, 2015) in the Intimacy exhibition at the Rabbithole Studios in Brooklyn, NYC, between 8-11pm local time.
The show features work by Kate Sweeney, Aaron Tsuru, Molly Broxton, Katie West and many others.
This from the Huffington Post:
Tsuru commented on a rather shocking photograph, by Molly Broxton, of herself with her late dog’s fur. “It was just so beautiful and touching and exactly the kind of atypical thinking I was hoping to see,” Tsuru told HuffPost. “Intimacy is many things, it’s letting people or other beings or things into our lives in a deeper more personal way.”
There’s also a great piece in Refinery29 (both links might be a tad NSFW).
As it happens I still haven’t finished repairing my TARDIS, so won’t be able to attend, but I know a few readers are in NYC so you’ve got 6 hours, get to it!
Theorie der Halbbildung
“At its highest, the philosophical idea of culture [Bildungsidee] sought to form and to preserve natural existence. It meant both the repression of the animalistic in humanity through their adaptation to one another, and the salvage of the natural in opposition to the pressure of the decrepit, man-made order over and against them. The philosophy of Schiller – that Kantian and critic of Kant – was the most pregnant expression of the tension between these moments, while in Hegel’s theory of culture – under the name of externalization [Entäußerung] – just as in late Goethe, it is the desideratum of adaptation, in the midst of their humanism, that triumphs. Where such tension dissolves, adaptation becomes all-triumphant, and its measure becomes the merely existent. It prohibits the positive from erecting itself over and against the given. By the power of the pressure that it exerts on people, adaptation perpetuates the amorphous which it was intended to form – aggression. Just this, according to Freud’s insight, is the source of civilization’s discontents.”
“Did you vote Tory at the last election?”
““Low-income holidaymakers” are the perfect art audience. There’s something very evocative about the British seaside experience. This show is modelled on the failed winter wonderlands they build every December that get shut down by trading standards – where they charge £20 to look at some alsatians with antlers taped to their heads towing a sleigh made from a skip. Essentially this is a theme park that Lawrence Llewelyn Bowen would endorse. The advantage of putting art in a small seaside town is you’re only competing with donkeys.I think a museum is a bad place to look at art; the worst context for art is other art.“
#tbt this time last week plus a day.
I totally thought that a status update would help things move forward.
“Sweet ’69” by Babes In Toyland (1995)
Intermittently Regular 365 Sketch Project Update 90-101
Again, who cares if I’m not daily. This collection contains drawings made during our 2 week family holiday to St. Ives Bay between Gwithian and Hayle. We had a wonderful time and it was something all of us needed after a particularly textural year. My only regret with these is I didn’t take any colour facility, but I was resting.
All images link through to the Instagram post from whence they came. An angel meets a fairy every time you click through and give one of the drawings a like.













