also:
10 things you (probably) never knew about the shower scene in Psycho
FLICKERED
FLICKERY LIGHTS: (/ˈflɪkə/) (lʌɪts/) (noun) Unusual animation, things that move, experimental puppetry, stop motion, cinematographs.
GIFABILITY
“The creation and collision of GIFs offers a potentially different implication for the looping horizon: the possibility of communication […] Now, perhaps trapped before a looping horizon, we promote an inverted relationship of understanding: presented with supposedly whole media artifacts, we deconstruct and disperse them, wreck them and from the rubble construct a new lexicon of associations and meanings.”
(via britticisms)
“I Have Your Heart” by Crabapple, Boekbinder & Batt. (2012)
Dyskograf by Jesse Lucas (2012)
“DYSKOGRAF is a graphic disk reader. Each disc is created by visitors to the installation by way of felt tip pens provided for their use. The mechanism then reads the disk, translating the drawing into a musical sequence.”
Making of “Limbo” – Time Lapse by Stephanie Thandi Johnstone (2012)
Interview with Darren Walsh – Bob Creator
reblogging 12foot6blog:
Interview with Bob Creator – Darren Walsh
We were very lucky yesterday to catch Darren Walsh preparing to live animate Bob in the Arnofini. Here he talks about how Bob came about, how he’s animate and how he thinks the animation will go.
Be sure to see the live animation every day in the ground floor of the Arnofini, it’s free to watch!
Cristina Cretu and Alice Corner
A great short interview with Darren Walsh about the process involved in creating Bob_On_Life. He’ll be animating Bob LIVE today! If you’re in Bristol this is a must-see.
The Eagleman Stag by Mikey Please (2012)
via @dukeofrochdale
Solipsist by Andrew Huang (2012)
“He was a magician by profession.”
“When film is not a document, it is a dream. That is why Tarkovsky is the greatest of them all. He moves with such naturalness in the room of dreams. He doesn’t explain. What should he explain anyhow? He is a spectator, capable of staging his visions in the most unwieldy but, in a way, the most willing of media. All my life I have hammered on the doors of the rooms in which he moves so naturally. Only a few times have I managed to creep inside.”
— Ingmar Bergman
