This is an incredible book of many intense stories of the process and survival of divorce. It doesn’t sound like a barrel of laughs as a concept but give it time and there’s joy, inspiration, hope, sadness, hilarity, devastation, fun and beauty.
It is an intense read, especially in the knowledge that it is all true, and as someone who has not experienced this directly (I think another reviewer has said this) an incredible window into a world that is not often written about. That intensity might be why it’s taken me so long to finish. I generally have five or so books on the go. I didn’t want to binge this, I wanted to remember each one so I took my time.
Looking forward to other publications from Fiction and Feeling.
“…this massive moment of disruption we’re in — is really a function of audiences craving new kinds of storytelling. I think we had a really nice run for 100 years of two-hour, two-dimensional storytelling, but I think over the next decade, decade-and-a-half, you’re going to see a radical shift in how stories are told.”
– Russo Brothers
“I want to put a tag of shame on the greedy bastards who are responsible for this.”
I just finished reading The Grapes of Wrath by John Steinbeck. I have always known of this book but never read it or even knew very much about what is was about.
I really wasn’t prepared by how relevant it was to so many situations occurring globally at the moment. The mass migration of populations due to climate changes, infrastructure collapse and economics, the refusal of a system to help and indeed the full demonisation of those in transit.
The language is beautifully simple and yet says so much about strength, sadness, suffering, perseverance and dignity.
“All fiction is metaphor. Science fiction is metaphor. What sets it apart from older forms of fiction seems to be its use of new metaphors, drawn from certain great dominants of our contemporary life—science, all the sciences, and technology, and the relativistic and the historical outlook, among them. Space travel is one of these metaphors; so is an alternative society, an alternative biology; the future is another. The future, in fiction, is a metaphor.
A metaphor for what?
If I could have said it non-metaphorically, I would not have written all these words, this novel…”
– Ursula K. Le Guin, 1976 Foreword to The Left Hand of Darkness (via Nearlya)