“I have noticed that when all the lights are on, people tend to talk about what they are doing – their outer lives. Sitting round in candlelight or firelight, people start to talk about how they are feeling – their inner lives. They speak subjectively, they argue less, there are longer pauses. To sit alone without any electric light is curiously creative. I have my best ideas at dawn or at nightfall, but not if I switch on the lights – then I start thinking about projects, deadlines, demands, and the shadows and shapes of the house become objects, not suggestions, things that need to done, not a background to thought.”
MAPPING
Narrative method, mythical shapes, hysterical realism, literary maximalism, codified things, unauthentic representation.
Every life is in many days, day after day.
“We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-love, but always meeting ourselves.”
— Ulysses
Chihiro
“What made me decide to make [Spirited Away] was the realisation that there are no films made for that age group of ten-year old girls. It was through observing the daughter of a friend that I realised there were no films out there for her, no films that directly spoke to her. Certainly, girls like her see films that contain characters their age, but they can’t identify with them, because they are imaginary characters that don’t resemble them at all. With Spirited Away I wanted to say to them ‘don’t worry, it will be all right in the end, there will be something for you’, not just in cinema, but also in everyday life.”
“For now, just get the words out. Get the story down however you can get it down, then fix it.’
“For me, it’s always been a process of trying to convince myself that what I’m doing in a first draft isn’t important. One way you get through the wall is by convincing yourself that it doesn’t matter. No one is ever going to see your first draft. Nobody cares about your first draft. And that’s the thing that you may be agonizing over, but honestly, whatever you’re doing can be fixed.”
on List-Making
“Conjure the nouns, alert the secret self, taste the darkness … speak softly, and write any old word that wants to jump out of your nerves onto the page…”
Literary Birthday – Jeanette Winterson, born 27 August 1959

reblogging Amanda Patterson for Writers Write
Literary Birthday – 27 August
Jeanette Winterson, born 27 August 1959
Seven Quotes
1. Language is what stops the heart exploding.
2. It’s not the one thing nor the other that leads to madness, but the space in between.
3.Everything in writing begins with language. Language begins with listening.
4. When people say that poetry is merely a luxury for the educated middle classes, or that it shouldn’t be read much at school because it is irrelevant, or any of the strange and stupid things that are said about poetry and its place in our lives, I suspect that the people doing the saying have had things pretty easy. A tough life needs a tough language – and that is what poetry is. That is what literature offers – a language powerful enough to say how it is.
5. What you risk reveals what you value.
6. So from the very first, if I was hurt in some way, then I would take a book — which was very difficult for me to buy when I was little — and I would go up into the hills, and that is how I would assuage my hurt.
7. Always in my books, I like to throw that rogue element into a stable situation and then see what happens.Jeanette Winterson’s 10 Rules for Writing
1. Turn up for work. Discipline allows creative freedom. No discipline equals no freedom.
2. Never stop when you are stuck. You may not be able to solve the problem, but turn aside and write something else. Do not stop altogether.
3.Love what you do.
4. Be honest with yourself. If you are no good, accept it. If the work you are doing is no good, accept it.
5. Don’t hold on to poor work. If it was bad when it went in the drawer it will be just as bad when it comes out.
6. Take no notice of anyone you don’t respect.
7. Take no notice of anyone with a gender agenda. A lot of men still think that women lack imagination of the fiery kind.
8. Be ambitious for the work and not for the reward.
9. Trust your creativity.
10. Enjoy this work!
Winterson is a British writer who was awarded an OBE for services to literature. Oranges Are Not the Only Fruit won the 1985 Whitbread Prize for a First Novel, and was adapted for television by Winterson in 1990. She has won various awards around the world for her fiction and adaptations, including the Whitbread Prize, UK, and the Prix d’argent, Cannes Film Festival. She writes regularly for various UK newspapers.
The Bechdel Test
“Yes, the Bechdel Test. It’s named for Alison Bechdel, who is a comic book creator. The test is, are there two named women in the film? Do they talk to each other? And is it about something other than a man? I actually think the Bechdel Test is a little advanced for us sometimes. I have one called the Sexy Lamp Test, which is, if you can remove a female character from your plot and replace her with a sexy lamp and your story still works, you’re a hack.”
— Comic book writer Kelly Sue DeConnick (Captain Marvel, Avengers Assemble)
A Woman Of No Importance
LADY CAROLINE:- “He must be quite respectable. One has never heard his name before in the whole course of one’s life, which speaks volumes for a man, nowadays.”
The Unbearable Lightness of Being
“Anyone whose goal is ‘something higher’ must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.”