Incredible weirs by OddbodCreations
via Nick Herbert.
These are quite long lists. So find them after the jump.
I only kept a record of the films and TV I was watching from June onwards.
“Under its guidance the most muddling twists, turns and corners melt away behind you,” read the advertisement. “It is better than a Human Guide because it is always doing its work to the exclusion of everything else. … The Jones Live-Map emancipates you from slavery to great, flopping maps and profound route-books that you can’t make head or tail of without stopping.”
more at Futility Closet
“Since childhood, I’ve been faithful to monsters. I have been saved and absolved by them, because monsters, I believe, are patron saints of our blissful imperfection, and they allow and embody the possibility of failing”
via Jess Fink
There is an interview with the film maker here.
“The band relocated to London in June 1991 when Harvey applied to study sculpture at Central Saint Martins College of Art & Design, still undecided as to her future career. During this time, the band recorded a set of demo recordings and distributed them to record labels. Independent label Too Pure agreed to release the band’s debut single “Dress” in October 1991, and later signed PJ Harvey. “Dress” received mass critical acclaim upon its release and was voted Single of the Week in Melody Maker by guest reviewer John Peel, who admired “the way Polly Jean seems crushed by the weight of her own songs and arrangements, as if the air is literally being sucked out of them … admirable if not always enjoyable.” However, Too Pure provided little promotion for the single and critics claim that “Melody Maker had more to do with the success of the “Dress” single than Too Pure Records.” A week after its release, the band recorded a live radio session for Peel on BBC Radio 1 on 29 October featuring “Oh, My Lover”, “Victory”, “Sheela-Na-Gig” and “Water”.”
See Also (<<– i was actually at this particular gig)