“Marshall McLuhan, what are you doin’?”

“I’m making explorations. I don’t know where they’re going to take me…. I want to map new terrain rather than chart old landmarks… As an investigator, I have no fixed point of view, no commitment to any theory—my own or anyone else’s. As a matter of fact, I’m completely ready to junk any statement I’ve ever made about any subject if events don’t bear me out, or if I discover it isn’t contributing to an understanding of the problem. The better part of my work on media is actually somewhat like a safe-cracker’s. I don’t know what’s inside; maybe it’s nothing. I just sit down and start to work. I grope, I listen, I test, I accept and discard; I try out different sequences–until the tumblers fall and the doors spring open.”

Marshall McLuhan

 

I attest to your grey matter.

“They said in the Eighties that painting was dead, well, painting hadn’t even started. It was such a narrow minded period of time, the conceptualists really tried to get rid of painting completely.

The area of imagination, the playing field for art, is so gigantic that no-one’s really explored it. That would be the legacy that I would want to leave, the exploration of what imagination can lead to, how it would compound itself to become expladential.

In other words what my generation does I would like to see another younger generation come and step on that and make that one step further into wild abstraction, to compound the poetry, make it lyrically remarkable.”

Robert Williams on WTF with Marc Maron

Intimacy Show In Brooklyn 

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Some friends have work showing tonight (August 22nd, 2015) in the Intimacy exhibition at the Rabbithole Studios in Brooklyn, NYC, between 8-11pm local time.

The show features work by Kate Sweeney, Aaron Tsuru, Molly Broxton, Katie West and many others.

This from the Huffington Post:

Tsuru commented on a rather shocking photograph, by Molly Broxton, of herself with her late dog’s fur. “It was just so beautiful and touching and exactly the kind of atypical thinking I was hoping to see,” Tsuru told HuffPost. “Intimacy is many things, it’s letting people or other beings or things into our lives in a deeper more personal way.”

There’s also a great piece in Refinery29 (both links might be a tad NSFW).

As it happens I still haven’t finished repairing my TARDIS, so won’t be able to attend, but I know a few readers are in NYC so you’ve got 6 hours, get to it!

Theorie der Halbbildung

“At its highest, the philosophical idea of culture [Bildungsidee] sought to form and to preserve natural existence. It meant both the repression of the animalistic in humanity through their adaptation to one another, and the salvage of the natural in opposition to the pressure of the decrepit, man-made order over and against them. The philosophy of Schiller – that Kantian and critic of Kant – was the most pregnant expression of the tension between these moments, while in Hegel’s theory of culture – under the name of externalization [Entäußerung] – just as in late Goethe, it is the desideratum of adaptation, in the midst of their humanism, that triumphs. Where such tension dissolves, adaptation becomes all-triumphant, and its measure becomes the merely existent. It prohibits the positive from erecting itself over and against the given. By the power of the pressure that it exerts on people, adaptation perpetuates the amorphous which it was intended to form – aggression. Just this, according to Freud’s insight, is the source of civilization’s discontents.”

Theodor W. Adorno

via

“Did you vote Tory at the last election?”

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““Low-income holidaymakers” are the perfect art audience. There’s something very evocative about the British seaside experience. This show is modelled on the failed winter wonderlands they build every December that get shut down by trading standards – where they charge £20 to look at some alsatians with antlers taped to their heads towing a sleigh made from a skip. Essentially this is a theme park that Lawrence Llewelyn Bowen would endorse. The advantage of putting art in a small seaside town is you’re only competing with donkeys.I think a museum is a bad place to look at art; the worst context for art is other art.