“Technology is the campfire around which we tell our stories.”
Len Lye – “A COlour Box” (1932″
“The first of Lye’s ‘direct films’ to receive a public screening. Promoted by Sidney Bernstein’s Granada chain of cinemas, it eventually came to be seen “by a larger public than any experimental film before it, and most since” (as the film historian David Curtis has pointed out). Its soundtrack is a beguine – a dance popular in France during the 1930s. A Colour Box won a Medal of Honour at the 1935 International Cinema Festival in Brussels. Having no suitable category in which to award the film, the jury simply invented a new one.”
“As its title suggests, A Colour Box was also notable for being a colour film. Lye used the process of Dufaycolor at a time when colour film was still in an experimental phase. This gave the film a novelty value when first shown. A Colour Box eventually secured quite a wide theatrical release and became popular with both general audiences and critics. Because it was colourful and dynamic, with a catchy musical score, it was more accessible than many abstract films of the period.”
see also
Lynda Barry: 2013 National Book Festival
“Cartoonist Lynda Barry appears at the 2013 Library of Congress National Book Festival. Speaker Biography: Lynda Barry is a writer and cartoonist who lives in rural Wisconsin. She’s authored 19 books and received numerous awards and honors for her work, including two William Eisner awards, the American Library Association’s Alex award, the Washington State governor’s award, the Wisconsin Library Association’s R.R. Donnelly award and the Museum of Wisconsin Arts Lifetime Achievement Award. Her work has appeared in many publications, including The New York Times, Los Angeles Times, Vanity Fair, Esquire, Newsweek, Time, Salon, Mother Jones, Poetry Magazine and Tin House. She is currently assistant professor in interdisciplinary creativity at the University of Wisconsin-Madison and a Discovery Fellow at the UW Wisconsin Institutes for Discovery. Her new graphic novel is “The Freddie Stories.” For captions, transcript, and more information visit http://1.usa.gov/1shC4TC “
365 Day Sketch Project Update: 55-68
I suppose I’ve lost the “everyday” part of this project, but, you know life’s too short to get stressed about these things. The point is I am having a lovely time drawing stuff from (mostly) life, my sense of perception and observation has developed and sharpened, my skill with the various implements I am using has improved.
So I am going to keep going with it, even though I am breaking the rules somewhat (there are no rules).
Something that seems to be happening also is sometimes I will finish a drawing and think it’s not great but it gets just as much feedback across the networks as the others.
At the moment I have them automatically cross posting to Twitter and Tumblr. Still haven’t quite got the guts to fire them off to Facebook as well. Not sure why that is, I have always struggled with Facebook, and hate the idea of oversharing on there. But for Tumblr and Twitter I’ll overshare with no worries, which is odd because people who I am connected to on Facebook are more likely to be people I know “Away From Keyboard” as it were.
Anyway, as ever these are embeds from Instagram, you can follow me there if you want them straight off the page, if you catch my drift. I have posted the accompanying comment I posted it with, but you’ll have to click through if you want to read what other people have said. (Don’t bother if there’s only one though that’s usually me adding hashtags after the fact).
Coaxing grumpy render farm into compliance with restarts, deleting preferences, reinitiating licenses, flute playing & beguiling folk dance.
BBC Preview – War of Words: Soldier-Poets of the Somme – Bristol Festival of Ideas
The “big animation project” we were working on earlier in the year is being previewed at the Watershed on the 5th November.
The programme explores the stories of the writer soldiers who were present at the Battle of the Somme and at BDH we produced 10 animations illustrating, with respect, the poetry the soldiers produced, which are embedded in the documentary.
The event is free, but you do have to register here.
Maybe see you there.
Silliness
I appear to be talking myself into making comics again. This could be, and usually is, a terrible idea.
If anyone can stop this silliness please send help.
Biro, fountain pen, montage and general moments of weakness.
Notebook: Amand
I’m also thinking I might start making the posts on this site shorter.
The Corps of Discovery carried out this order with all due diligence. Not only did Captains Lewis and Clark keep notebooks on their observations, but the other soldiers did as well, producing in all more than one million words during their travels.
“Lewis and Clark kept 18 of what Jefferson called their “traveling pocket journals;” 13 were larger notebooks bound in red morocco leather, 4 were smaller and bound in paper board, and one was Clark’s field notebook bound in elkskin. Clark carried this elkskin field book during times of inclement weather or while canoeing down a river in order not to risk damage to one of the larger red notebooks. He would then copy his field notes into the red notebooks later on. When all the notebooks were not in use they were kept protected in tin cases. When their pages had been completely filled, the notebooks were sealed safely shut inside the cases for a safe return to Washington.”
Paul Greer 