#Cloud
The circle is complete. #parenting
August in #Bristol. #BalloonFiesta
High altitude rainbow strangeness. #nofilter
How to Build a Universe
“Because today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups… So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.”
Lisiecki: From Every Angle
This week saw the very first Bristol Proms get underway and on Monday night BDH collaborated with the Bristol Old Vic, the Watershed and a fantastic team of technicians to showcase the extraordinary Jan Lisieki playing Chopin’s Etudes.
Lisieki performed on the stage of the Old Vic surrounded by cameras and scanning equipment, whilst a team of film makers technicians and artists weaved a live visual interpretation of the event, including CGI (by me), scanned versions of Jan and multiple camera angles, which was beamed over to the Watershed as a unique live experience to be enjoyed by a clapping and cheering crowd.
It was a great experience working on a live event with such a great crew, many lessons were learned and hopefully we can do more in the future, there is so much to explore with the live generation of 3D animation and it’s interaction with a real time event.
Here’s some grabs from the days leading up to the concert:
An edited and finessed version of the Watershed feed will be shown on Saturday night on More4 as part of their Piano Night.
An accidental Theatre of the Spectacle with Jacques Lacan and an Interruptor.
OffOn by Scott Bartlett (1968)
“OffOn is a landmark avant-garde film, the first to fully merge video with film. Scott Bartlett’s goal was to “marry the technologies” so that neither would “show up separately from the whole.””




