Stan Brakhage – Comingled Containers (1996)

“Comingled Containers is an experimental short film by Stan Brakhage. “This ‘return to photography’ (after several years of only painting film) was made on the eve of cancer surgery – a kind of ‘last testament,’ if you will… an envisionment of the fleeting complexity of worldly phenomenon.””

“Commingled Containers is often interpreted in light of Brakhage’s health problems at the time, and is considered to represent the director’s own spiritual quest.  Scott MacDonald describes the film as “a talisman that expresses Brakhage’s determination to continue his spiritual quest and to offer viewers something of Light, despite his fear of mortality, for as long as it was given to him to remain in the flow of life.” R. Bruce Elder wrote that Commingled Containers, unlike most of Brakhage’s work, “remains a nearly organic (or biomorphic) abstraction across its entire length.””

Swinging the Lambeth Walk

An Ingenious Abstract Colour Film Interpreting a Famous Dance Tune on the Screen in the Form of Moving Patterns
‘In this film coloured designs convey in simple visual form the rhythm of “The Lambeth Walk.” Patterns move and mingle in time to the music. The sounds of the various musical instruments are interpreted in as simple and direct way as possible, and each note was studied for its individual characteristics before it was drawn and coloured. Double-bass notes are conceived as thick cords of colour vibrating vertically on the screen, while the notes of the guitar are shown as separate horizontal lines. The different sound qualities are indicated by the extent of vibration, and the pitch of the notes by their position high or low on the screen.
The music is composed of excerpts from recordings by popular dance bands. Len Lye, a New Zealander, who developed this original film technique, chose the excerpts for their orchestration of the original tune, and aimed at capturing the emotional spontaneity of good jazz, rather than at creating an intellectual exercise in visual accompaniment.’
(Films of Britain – British Council Film Department Catalogue – 1940)

A memo from the 1945 British Council Film Department lists the reasons for films being withdrawn from circulation. It states that “Swinging the Lambeth Walk, a colour cartoon film made by Len Lye, is a failure in that no theatrical manager will show it. A sneak preview of this film was given at the Cosmo Cinema, Glasgow, but the audience howled it off the screen and the manager had to take it off before the reel finished.”

Re-posted Toad

 

Toad
Toad

I’ve redone Toad with titles and have come up with a 49 word synopsis:

“God’s taps gleamed far above, like Chomolungma’s peak, but they leaked . The Devil’s toad sat by the death plug unable to progress beyond early meiotic division. Although distressed by Charons pet nymphs, it gained succour from the drip and stole time before new washers arrived.

Short psychedelic whimsey.”

 

 

 

It’s at MySpace and YouTube. Any ratings or comments given will be rewarded with kind thoughts and loving regards.

Toad

Toad

16 years later and I managed to get my shit together and make myself another animated short.

Time has been limited, so although a bit low on the content side, it’s mostly gut instinct, with hardly any sensible thought getting in the way.

It’s called “Toad” and you can see it at either MySpace or YouTube, depending on which side you like your corporate bread buttered.

Hopefully, it ‘s the first of a few, and next time, I might even start with a script.

Fudge: Introduction

Fudge came along in the early nineties.

His bags were packed and he was ready to move in.

I have so far sketched out around 20 to 30 stories with him in, and they all generally follow a similar pattern.

This first story, (which I will begin posting next week) was originally printed in a Slovenian magazine called Stripburger in 1997.

It was heavily influenced by the work of HundertwasserAdolf Woelfli and Chris Ware.

He’s a kind of cross between Ted Hughes’ CrowHannibal Lecter and Clarence Oddbody from It’s a Wonderful Life.

You In?

Fortune: “This kiss is for the first time, and this kiss is for that time”

Screaming for Rosalind

Dear Lonesome Reader,

This is proper, spill my guts out time.

Screaming for Rosalind is a very short piece of animation I made a very time long ago.

It is part of a 5 minute film called “Commercials for Everyday Life”, which got itself shown at the 1991 london Film Festival alongside the work of industry legends such as Liz Whitaker and the Quay Brothers.

 

No computers were touched during the making of this work. It’s all peg bars, pencils, paper, rostrum cameras and 16mm.

The voice was provided by esteemed stage and screen actress, Veronica Quilligan, who took my inane teenage poem and imbued it with a life and gravity I could never have imagined.

The drawing is a bit crap and the animation a bit clunky, but its the only part of the film I can currently bear to watch all the way through.

 

Who knows, when I become more immune to internet dignicide, I may choose to post the other four parts.