Our Planet | Teaser [HD]

A first look at a big new project we’ve been working on.
More on it here:

Our Planet will take viewers on a spectacular journey of discovery showcasing the beauty and fragility of our natural world,” Attenborough said as the series was announced on Thursday. “Today we have become the greatest threat to the health of our home but there’s still time for us to address the challenges we’ve created if we act now. We need the world to pay attention.”

“Inca Jay” by Andy Thomas (2016)

“Our goal is to create artwork inspired by an expedition to the Amazon rainforest in order to highlight issues related to deforestation.”

see also:

Official trailer for New Chitose Airport International Animation Festival✈️ by TVCM Hashimoto (2018)

This is incredible.

Project Ethel (27.05.14 – 07.01.16): Pages 18-26

Notebook Ethel, Spread Eighteen. Me trying to mind map and plan my website. You can see the ongoing result at the #linkinbio. A work of art is never finished, apparently. 🕷 📓 🗺
Notebook Ethel, Spread Eighteen. Me trying to mind map and plan my website. You can see the ongoing result. A work of art is never finished, apparently. 🕷 📓 🗺
Notebook Ethel, Spread Eighteen. Newspaper clipping of Raphael’s Head of a Muse, some copying of that image and the beginnings of a mind map on fluid dynamics. 👁 📓 🗺
Notebook Ethel, Spread Eighteen. Newspaper clipping of Raphael’s Head of a Muse, some copying of that image and the beginnings of a mind map on fluid dynamics. 👁 📓 🗺
burningfpNotebook Ethel, Spread Nineteen. Horse drawings, daises, diary notes (text obscured). 📓 🐴 🌷
Notebook Ethel, Spread Nineteen. Horse drawings, daises, diary notes (text obscured). 📓 🐴 🌷
Notebook Ethel, Spread Twenty. Morning Pages writing exercise and drawing my comic book character Fudge (see more of him at #linkinbio). 🌳 👹 ✍️
Notebook Ethel, Spread Twenty. Morning Pages writing exercise and drawing my comic book character Fudge. 🌳 👹 ✍
Notebook Ethel, Spread Twenty-One. Documenting a two day journey from the West to the East and back again (full story at #linkinbio). Drawing from the window of a train, cars in traffic, route plan and garbage writing. 🚗 ✍️ 🚂
Notebook Ethel, Spread Twenty-One. Documenting a two day journey from the West to the East and back again. Drawing from the window of a train, cars in traffic, route plan and garbage writing. 🚗 ✍ 🚂
Notebook Ethel, Spread Twenty-Two. Mind map getting to grips with some serious understanding of the render engine #Arnold, soon after we began using it. Also eye doodles. 🕷 👁 🗺
Notebook Ethel, Spread Twenty-Two. Mind map getting to grips with some serious understanding of the render engine Arnold, soon after we began using it. Also eye doodles. 🕷 👁 🗺
Notebook Ethel, Spread Twenty- Three. More horses, and my attempt at the Ivan Brunetti drawing exercise in his “Cartooning: Philosophy and Practice”, it goes: “Using your sketchbook and a pencil or pen of your choice, spend 3-4 minutes drawing a car. Then, start over and draw it in 2 minutes. Then 1 minute. Then 30 seconds. Then 15 seconds. And then 5 seconds. Draw faster at each step-that is, draw the entire car within the time limit. Repeat this same process for four other subjects: a cat, a castle, a telephone, and self-portrait.” ✍️📓 📞
Notebook Ethel, Spread Twenty- Three. More horses, and my attempt at the Ivan Brunetti drawing exercise in his “Cartooning: Philosophy and Practice”, it goes: “Using your sketchbook and a pencil or pen of your choice, spend 3-4 minutes drawing a car. Then, start over and draw it in 2 minutes. Then 1 minute. Then 30 seconds. Then 15 seconds. And then 5 seconds. Draw faster at each step-that is, draw the entire car within the time limit. Repeat this same process for four other subjects: a cat, a castle, a telephone, and self-portrait.” ✍️📓 📞
Notebook Ethel, Spread Twenty-Four. Mind map on the Autodesk Maya Bifrost system, dynamic and fluid simulation software. 🌊 🖥 🕷
Notebook Ethel, Spread Twenty-Four. Mind map on the Autodesk Maya Bifrost system, dynamic and fluid simulation software. 🌊 🖥 🕷
Notebook Ethel, Spread Twenty-Five. Another Ivan Brunetti exercise from “Cartooning: philosophy and practice”: “Pencil out a grid in your notebook, enough to contain 100 small drawings.now spending no more than 5 seconds per drawing, let your stream of consciousness guide you, drawing whatever comes to mind (don’t stop to think about it).” I went back and inked them after. 📓✍️🖼
Notebook Ethel, Spread Twenty-Five. Another Ivan Brunetti exercise from “Cartooning: philosophy and practice”: “Pencil out a grid in your notebook, enough to contain 100 small drawings.now spending no more than 5 seconds per drawing, let your stream of consciousness guide you, drawing whatever comes to mind (don’t stop to think about it).” I went back and inked them after. 📓✍️🖼
Notebook Ethel, Spread Twenty-Six. Mind mapping notes for the content graphics of Countdown To Life. Ideas, concepts, storyboards, techniques. 📓 🕷 💓
Notebook Ethel, Spread Twenty-Six. Mind mapping notes for the content graphics of Countdown To Life. Ideas, concepts, storyboards, techniques. 📓 🕷 💓

Data visualisation in virtual reality and 360°event at the Data Dome

At BDH we have been working with scientists at the University of Bristol to produce visualisations of 3D High resolution brain MRI scans which help show “the brain in action”. Some of the results of this work is to be shown as part of a free event at the We The Curious 3D Planetarium in Bristol on Monday 2nd July 2018.

The remarkable inner workings of our growing brain presented in Virtual Reality and 360° Dome. Secrets of Brain Health is a pioneering collaboration between University of Bristol and multi-award winning BDH Immersive to be presented in VR and Digital Dome. The project addresses challenges in neuroscience and how the complex neural networks are formed throughout the human lifespan.

HTML tutorial

More information and tickets are available on Eventbrite.

Project Ethel (27.05.14 – 07.01.16): Pages 1-8

Beginning a large project of uploading old notebook pages. These are not high res scans as that would considerably increase the amount of time needed, so these would have to do for now.

These are all generally going up on Instagram first.

Ethel Spread 1
Opening page of Notebook: Ethel. I’m going to be uploading notebooks in a more systematic fashion (with sensitive info deleted obvs). Notebook Ethel is a few years old. This is before I started using the first page spread as an index for the rest of the book. So the lists here are largely inspirational items and ideas of content capture. There’s not much order and I tend to fill empty spaces with bits of ephemera stuck in and doodles.
Clifton windows, lists and words.
This is a systematic uploading.
Notebook: Ethel Spread 2
First drafts, mug drawing, rough mind map, comics and a quote from Lynda Barry.
It’s along the lines of: “I’ve come to regard comics as something like a song. It can be about anything. We can address all sorts of things in a song, love gone wrong, truck driving, Daddies, smoking, boots, birthdays, cheating, space travel, big butts, revenge, war, a turkey in the straw, regret, genders, hands, purple haze . We can this way we can make comics about anything.” – Although I did write it down in a hurry!
Notebook: Ethel Spread 4.
Daily mini-maps, plans for website, doodles and the like.
Notebook: Ethel Spread 5.
Preliminary notes on Shark Brains, Art Speigelman on Maus: “Reality is too complex for any media” “Ironic Distance” “Fourth Wall” “Blank expressions allow the reader to impose their own” “I draw my comics one to one” “The past and the present intertwining, simultaneously in the same space” …& Ray Bradbury on writing: “Libraries are full of people not books” “Love what you do. Do what you love” “I don’t write the book, my characters write the book, they come to me and they tell me” “Stand on the top of the cliff, jump off, build your wings on the way down.” etc…
Notes for a very short film called “Bevel’s Nub” that appeared in the @strangealtars project a while back.
Marker pen, biro, pencil.
Notebook: Ethel. Spread 7.
Mind Map of the early days with Arnold and Maya before he full recent integration.
Mind Map on understanding Linear Colour Space within Maya and Arnold back when we first started using it.

…practical and digital and language…

“I studied the classical effects from classical films. I don’t know only the new techniques, I know the old techniques. When you were talking about compositing an image, the language is still the same – matte lines, roto, matte paintings. You’re using the same language as before. Grain, haze, atmospheric dispersion, specularity – the language is the same.”

 

Guillermo Del Toro