“Everybody has a song which is no song at all: it is a process of singing, and when you sing, you are where you are. All I know about method is that when I am not working I sometimes think I know something, but when I am working it is quite clear that I know nothing.”
creativity
John Cleese on Creativity
(linked fixed 2018)
The industry holds up rare examples of experimentation from the ‘mainstream’ media as paragon instances of innovation »
How to Be an Award-Winning Blogger
“Sometimes you have to pry open your chest with a rib spreader, and reach inside yourself, and tear out your heart, and throw it on your blog with a wet slap!”
Pay Attention
“Do stuff. be clenched, curious. Not waiting for inspiration’s shove or society’s kiss on your forehead. Pay attention. It’s all about paying attention. attention is vitality. It connects you with others. It makes you eager. stay eager.”
— Susan Sontag
Brian Eno Interview 1980
“Lyric writing is an embarrassing thing to do because there’s a kind of exposure in writing lyrics that is really more critical than any other kind of exposure I can think of.
Words have such distinct meanings that they pin you down in a sense. So to start writing lyrics is hard. To start writing lyrics when you don’t know quite what to say is even more difficult.
So I began inventing systems the intention of which was to foil the critic in me and to encourage the child in me. I tend to think that one’s mind is mediated by two characters: one is a critical one and the other is playful and childish one. And we’re inclined to let the critic have a bit too much sway in that balance.
And so quite a lot of the procedures I use are intended to catch him off guard for a little while so that the playful person can come out.”
Andrei Tarkovsky’s words on film
“Cinema is the one art form where the author can see himself as the creator of an unconditional reality, quite literally of his own world.”
“The culture industry perpetually cheats its consumers of what it perpetually promises.”
“The culture industry perpetually cheats its consumers of what it perpetually promises. The promissory note which, with its plots and staging, it draws on pleasure is endlessly prolonged; the promise, which is actually all the spectacle consists of, is illusory: all it actually confirms is that the real point will never be reached, that the diner must be satisfied with the menu.”
Paul Greer 