“I came from painting. And a painter has none of those worries. A painter paints a painting. No one comes in and says, “You’ve got to change that blue.” It’s a joke to think that a film is going to mean anything if somebody else fiddles with it. If they give you the right to make the film, they owe you the right to make it the way you think it should be — the filmmaker. The filmmaker decides on every single element, every single word, every single sound, every single thing going down that highway through time. Otherwise, it won’t hold together. When there’s even a little hint of pressure coming from someplace else — like deadlines or going overbudget… — this affects the film. And you just want support, support, support… in a perfect world… so that you can really get the thing to be correct.”
David Lynch
Abstractions
“In Hollywood, more often than not, they’re making more kind of traditional films, stories that are understood by people. And the entire story is understood. And they become worried if even for one small moment something happens that is not understood by everyone. But what’s so fantastic is to get down into areas where things are abstract and where things are felt, or understood in an intuitive way that, you can’t, you know, put a microphone to somebody at the theatre and say ‘Did you understand that?’ but they come out with a strange, fantastic feeling and they can carry that, and it opens some little door or something that’s magical and that’s the power that film has.”
In Heaven Everything Is Fine
David Lynch, ‘The Elephant Man’ opening scene, 1980
(via)
On Talking Movies
“As soon as you put things in words, no one ever sees the film the same way. And that’s what I hate, you know. Talking — it’s real dangerous.”
via Liquid Night
Happy Birthday Mr. Lynch
image via
Yesterday, as well as being New President Day, it was the birthday of illustrious film maker David Lynch.
I recently finished reading his book “Catching the Big Fish“, a very personal account of his approach to creativity, and the role that meditation plays in it.
I have often felt that techniques like meditation may result in bland art, due to lack of “pain”, a deluded idea partly inspired by Captain Kirk (I’ll explain another time). Mr Lynch is a very good example of how this is not the case.
In the book he writes:
“Anger and depression and sorrow are beautiful things in a a story, but they’re like poison for the film maker or artist. They’re like a vice grip on creativity. If you’re in that grip you can hardly get out of bed, much less experience the flow of creativity and ideas. You must have clarity to create. You have to be able to catch ideas.”
Here is a little seen, very short film by Mr Lynch:
movie via Attentiondeficitdisorderly Too Flat
Belated birthday greetings to you, Mr Lynch.
Paul Greer 