The Idea—the Origin of Everything 1979

From Hayao Miyazaki:

“From within the confusion of your mind, you start to capture the hazy figure of what you want to express. And then you start to draw. It doesn’t matter if the story isn’t yet complete. The story will follow. Later still the characters take shape. You draw a picture that establishes the underlying tone for a specific world. Of course, what you have drawn will not be your final product. At times, your work may be rejected entirely. When I mentioned earlier that you must have the will to go to any length, this is what I meant. When you draw that first picture, it is only the beginning of an immense journey. This is the start of the preparation stage of the film.”

It’s worth reading here.

“Draw many pictures, as many as you can. Eventually a world is created. To create one world means to discard other inconsistent or clashing worlds. If something is very important to you, you can keep it carefully stored in your heart for use at another time. Those who have experienced an outpouring of an amazing number of pictures from inside themselves can feel it. They feel that the fragment of a picture they envisioned, the other trunk of a story that was thrown out while piecing together a narrative, the memory of pining for a girl, the knowledge about a subject gained as they delved deeply into a hobby – all of these play a role and become entwined into one thick strand. The scattered material within you has found its direction and started to flow.”

Modes of Processing: Notes from a Comics Roundtable

Processing words and images together is like looking at a person’s face while listening to them speak. Amazing! This makes me think about how reading comics is like living in the world; there are multiple modes of processing required of us. There’s so much information being communicated in a person’s face when they speak. But sometimes the person’s face communicates information that, juxtaposed with what they are saying, changes the meaning. Like when my mom and I say “Hate you” instead of “Love you,” there’s a certain facial expression that goes with the words that makes “Hate you” = “Love you.” I guess I’ve always liked modes of communication that are less direct than they appear.

Amy Kurzweil (Flying Couch)

I draw because I couldn’t communicate in the usual ways growing up. I was too shy, or weird, or something. Drawing has never been private for me; it was always the only non-private thing. I never made comics as a hobby; I chose the medium consciously, as an adult, when my parents and teachers and classmates stopped being the right audience for my drawings, and I needed an audience and a more concrete medium I could plug into. I wouldn’t write a story I didn’t want to share.

Liana Finck (Twitter)

My artistic advice to someone just getting started is: Don’t worry what other people are doing, or what they think you should do; just have fun. Practice. Experiment. If you haven’t found your personal style yet, don’t worry, it will come to you. You need to make a lot of shit before you start making gold, and even when it’s gold, it’ll probably still look like shit to you sometimes. Also: Don’t expect comics to make you rich, or even make you a living. Not saying it can’t happen, but it’s about as likely as winning the lottery.

Mari Naomi (website)

It’s all worth reading.

Print Sale for December

I got a sale on for the early part of December.
All prints now £3.50 each, and if you order more than one in a single order the shipping for the rest is free!
Signed prints of locations from around the Bristol area.
Support my humble artistic endeavours whilst simultaneously acquiring top quality gifts for your loved ones.

“One Hour on the 11:30 from Bristol Temple Meads.”

Various horizon lines drawn from the window of the 11:30am to London Paddington, going through Bath Spa, Chippenham, Swindon, Didcot Parkway. September 2014.

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“Not sure if you have tried drawing on a train, most people are too close for you to study without causing a uncomfortable situation and generally stuff is going passed so quickly outside you need a super fast photographic memory to get it in your brain before you can decide how to represent it on the page. So I decided to go for the horizon, because that goes pass slower and if you miss a bit it doesn’t look too weird if you just join on to the continuation.”.

Read more about the trip I took here.

Black and White print on 160gsm uncoated paper. Taken from super high resolution scan. A4.


“Winter Saplings, Leigh Woods.”

Saplings drawn in notebook whilst walking through Leigh Woods, Bristol. Winter 2014.

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Black and White print on 160gsm uncoated paper. Taken from super high resolution scan. A4.


“Melrose Place, Clifton”

Looking out of the window in Clifton, Bristol. Summer 2014

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Originally drawn as part of a daily drawing project, find out more here.

Black and White print on 160gsm uncoated paper. Taken from super high resolution scan. A4.

 

Before last Tuesday’s news…

Intermittently Regular #365 Sketch Project Update 162-166

Yes, I’ve been pretty shaken up over the last week. Who hasn’t. The drawings here were all made before last Tuesday’s news.

This week I’ve been putting all my energy into redecorating our kitchen, so I haven’t managed drawing yet.

Hopefully soon though.

Be kind. Be useful.

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162/365 Pedestrians in Clifton scribbled in pocketbook. V-ball. 30/09/16 Notebook: Artemis
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163/365 I dug the hamsters grave then I drew the hamsters grave. RIP Pearl. (This is my first for Inktober) 02/10/16 V-ball 5 mins Notebook: Myrtle
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164/365 Clifton Window (agin) V-ball Notebook:Myrtle
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165/365 Lotte the Fluff Dog in full office effect. To be honest she didn’t sit still all ****ing day. V-ball Draw whilst downloading various bits of data. Notebook: Myrtle
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166/365 Ivy on tree trunk. 10 mins. Straight to V-ball Notebook: Myrtle

Si Lewen’s Parade: An Artist Odyssey

“The Parade” is a modernist dirge of a book that still packs an emotional wallop, telling the story of mankind’s recurring and deadly war fever. Einstein wrote Si a fan letter after seeing the drawings in 1951, saying, “Our time needs you and your work!” It doesn’t take a genius to see that this is still true today, so Si and I collaborated on an expanded “director’s cut” version of “The Parade,” remastered from the original art and published, this month, as a long accordion-fold book.

Art Speigelman

SculpTogether

Multiplatform social drawing tool.

VR is an isolating experience so the idea of using it to bring people together is really promising.

 

SculpTogether lets users on all platforms (GearVR, Rift, Vive, 2D) make 3D drawings and simple sculptures together. Users have hundreds of colors and hues to create with as they draw ribbons in mid-air and place primitive shapes in whatever orientation they wish.

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Intermittently Regular #365 Sketch Project Update 158-161

158/365 Clifton Windows. Slightly inaccurate. 4 x 5 mins. V-ball Notebook: Myrtle

 

159/365 Ivy, tree and hedgerow. Evergreen Riding Centre. Tickenham. V-ball. 20 mins. Notebook: Myrtle.
160/365 Chimney Stacks, Clifton, Bristol, 20/09/16 V-ball, Notebook: Myrtle

 

161/365 Plants pots and ivy. V-ball Notebook:Myrtle

 

More immediate updates are available on Snapchat & Instagram.