film
The Good, the Bad, the Ugly – Finale
When I was 16 I couldn’t find a poster of this so I drew it myself as large as I could
“O’Bannon introduced Scott to the artwork of H. R. Giger; both of them felt that his painting Necronom IV was the type of representation they wanted for the film’s antagonist and began asking the studio to hire him as a designer. 20th Century Fox initially believed Giger’s work was too ghastly for audiences, but the Brandywine team were persistent and eventually won out. According to Gordon Carroll: “The first second that Ridley saw Giger’s work, he knew that the biggest single design problem, maybe the biggest problem in the film, had been solved.” Scott flew to Zürich to meet Giger and recruited him to work on all aspects of the Alien and its environment including the surface of the planetoid, the derelict spacecraft, and all four forms of the Alien from the egg to the adult”
Toy Story 3 screenwriter Michael Arndt walks us through writing a first act.
Stan Brakhage – “Cat’s Cradle” (1959)
“Paul Arthur, in his essay for The Criterion Collection, wrote that Cat’s Cradle “does not entirely suppress our recourse to naming but rather floods our typical eye-brain loop with stimuli for which attached language cues are either less than automatic or, in cases of purely sensory appeal, non-existent.” Fred Camper, in another essay for The Criterion Collection, remarked upon the mysteriousness of the four characters’ interactions, but was nevertheless “kept on edge by the very rapid intercutting… the viewer is at once encouraged to come up with his own interpretations and prevented from settling on any one idea.”
see also
Star Wars: Teaser Trailer 1976
Today I was at home with the Youngest who is recovering from a stomach bug. So we watched the original CGI-free version of Star Wars.
All the old feelings came flooding back.
OffOn by Scott Bartlett (1968)
“OffOn is a landmark avant-garde film, the first to fully merge video with film. Scott Bartlett’s goal was to “marry the technologies” so that neither would “show up separately from the whole.””
“How many rainbows can light create for the untutored eye?” – Vine and Me
Yes, so I got a bit excited when they released Vine for Android. It suddenly seemed the whole inventing smart phone thing suddenly had an actual purpose for me. I could make animated journal type entries actually on the go, without having to record everything and go back to base to put it together.
A real stroke of genius for me is that you can’t upload previously made movies, you have to go live, so creating animation becomes a superpower of being able to tap the screen with sufficient deftness you only trigger one frame and then some people go to the next level with using external lenses and tripods and things.
Unfortunately my phone is at the menders (dodgy power socket on those Samsung Galaxy Mini’s apparently), but the only thing I am really missing is the Vining.
I began by deleting a lot of early attempts but then came to the conclusion it’s best just to put it all out there, because often there’s a quality that comes out of the Vine you were not expecting, and the imperfection of it is the best thing.
Most of these have sound, and it’s usually relevant.
These next three are taken at various stages of making my way home after the pub.
(The title of this post is a quote from the mighty mighty Stan Brakhage)
There Will Be Blood with gaze locations of 11 viewers
“This is an excerpt from There Will Be Blood (Paul Thomas Anderson, 2007). 11 adult viewers were shown the video and their eye movements recorded using an Eyelink 1000 (SR Research) infra-red camera-based eyetracker. Each dot represents the center of one viewer’s gaze. The size of each dot represents the length of time they have held fixation.”
