“YGT – Sinking Ship” by Sam Mason (2019)

Some great and mysterious work.

This is from Directors notes:

“On the foggy margins of the ancient and the new lies the world of Zuma, where the masked Truskan people, a once rich civilization, rot away, or where the forgotten Wazoh bird-men roam the desert ruins. In the mountains, deep in complex cave networks, dwell the Tholotec ape-men, and by the forests live the silent Mani who dawn themselves in outfits made of hollow reeds that whistle as they wander.”

 

“I like to think of my workflow as collage, I used primarily digital tools on Sinking Ship, though I love working with people costume and sets.”

Sam Mason (IG)

Here We Go Magic | “Tunnelvision”

“All of the footage was captured on the edge of a large lake in the Catskill Mountains. “The temperature had dropped the night before and the lake was starting to freeze. Everything was half-frozen,” recalls Peking’s Nat Johnson. A lot of the footage was recorded with Snejina’s homemade kaleidoscope fastened to the lens of the camera. The footage was then manipulated by hand, projected and filmed again. “Super-8 projection has an anxious, hypnotic effect that we thought served Here We Go Magic’s song well. We wanted something simple and transcendent,” Snejina explains. “Look closely and you’ll enjoy beautiful patterns in the seemingly random imagery,” notes Peking co-founder, Greg Mitnick.”