“The first rule of geography is that everything is related to everything else. Today’s cartography reflects exactly that: It combines design, geography, anthropology, human impressions and ideas within spatial contexts. It’s a connector, an aggregator. And, increasingly, it’s a way of telling stories.”
see also:
“After a while it becomes clear that there is no single unitary narrative nor a single mystery, but that there are many, branching out from each room and door, suggesting an infinity of readings and of occupations.”
“There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters.”
“Fiction is like a spider’s web, attached ever so lightly perhaps, but still attached to life at all four corners.”
“The study of hero myth narratives started in 1871 with anthropologist Edward Taylor’s observations of common patterns in plots of hero’s journeys. Later on, others introduced various theories on hero myth narratives such as Otto Rank and his Freudian psychoanalytic approach to myth, Lord Raglan’s unification of myth and rituals, and eventually hero myth pattern studies were popularized by Joseph Campbell, who was influenced by Carl Jung’s view of myth. In his 1949 work The Hero with a Thousand Faces, Campbell described the basic narrative pattern as follows:
‘A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.'”
by xkcd
1. Everyone – all levels of society – went to see Shakespeare’s plays. There weren’t many other forms of entertainment: no TV; no cable; no DVDs; no videos, hand-held electronic game players, or personal CD players; no CDs; no movies; and only the rudiments of a newspaper. People went to the bear-baiting or bull-baiting ring for a thrill, they went to a public execution or two – and they went to the theatre.
2. Shakespeare wrote his sonnets to be applauded and remembered as a writer. He wrote his plays to make money. And he made lots of it.
3. He wrote 37 plays, and some of them were real dogs.
4. Shakespeare’s wife was pregnant when they got married.
5. Shakespeare and his wife had three children before he left them all in Stratford-upon-Avon for the big-time, big-city life in London.
6. Shakespeare never went to college.
7. Reading Shakespeare is hard. Shakespeare’s plays were written to be performed – acted and seen on a stage. About half of Shakespeare’s plays weren’t even published until after his death.
8. In Shakespeare’s time, a woman’s value depended solely on who her husband was, and how valuable he was.
9. Experiencing a play in the Globe Theatre in 1603 was sort of a cross between going to an Oscar de la Hoya fight and an N Sync concert.
10. In Shakespeare’s plays, you can find drunks, ghosts, teenagers running away from home, boy who gets girl, boy who loses girl, king who loses everything, woman caressing her lover’s body that is minus its head, woman caressing her lover’s head that is minus its body, weddings and celebrations, and murder by stabbing, suffocation, poison, decapitation, and drowning in a vat of wine.
– Peggy O’Brien, from the “Acknowledgments” section of The Shakespeare Book of Lists by Michael LoMonico
Paul Greer 