
In the wild.
No eggs in sight.
Drawn from life.
246/365
Notebook: Beto
20 mins
Pencil
“I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mindβs door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.” – Joan Didion

In the wild.
No eggs in sight.
Drawn from life.
246/365
Notebook: Beto
20 mins
Pencil
208/365
210/365
Yorgos Lanthimos’ “The Favourite” was definitely my favourite from the recent awards season’s batch of films.
I truly had never seen a film like it, all the performances were incredible, the story was amazing, the cinematography, Olivia Coleman, everything.
I just listened to Lanthimos’ interview on Marc Marin’a podcast. He has this today about watching Tarkovsky:
“During the summer in Greece there’s a lot of open air cinemas, beautiful open air cinemas in a lot of neighbourhoods. You have a little table outside surrounded by apartment buildings, and you watch films.
So they would do retrospectives of his <Tarkovsky> films and John Cassevetes.
It was the first time seeing a different medium, seeing something new, like how an image can affect you in a different way, it doesn’t have to be a fast narrative, how poetic it can be, and how you can lose yourself in it, engage, but with your own personality. There’s an openness to it, you can bring your own stuff, and see things and understand things, maybe in a different way from how the person sitting next to you is experiencing the same thing at the same time.
…
It feels realistic but transcends that and you enter a different space. “
— Yorgos Lanthimos, WTF podcast.
It’s definitely worth listening to the whole thing.
Here’s a notebook page of some drawing I did over some lists whilst I listened to it.

Here is the much viewed video of the wonderful Olivia Coleman accepting the Oscar for her role as Queen Mary.
It’s been really interesting going through an old book like this and systematically posting everything I can. I have more, so after a short break I’ll begin again on Myrtle.
Notebook Ethel, spread forty. Garbage writing, Cornish undergrowth, and office dog drawings (three varieties). πΏπβοΈ
Notebook Ethel, Spread forty-two. Kitchen still life in biro, Clifton windows, garbage writing (obscured) and @3dtimmyβs coat. π₯ π π§₯
Notebook Ethel, spread Forty-Four. More Cornish drawings, Godrevy Ligjthouse, garbage writing and stables. βοΈ π‘ π΄
Notebook Ethel, spread forty- five. To do lists, mini mind maps, drawings of family shoes and desk fan. π π· πΊ
Notebook: Ethel, spread forty-six. Horse and rider drawings from life, went on to become the animation I have in my current pinned tweet. About 40 mins. Pencil and fountain pen. π π π
Notebook Ethel: Spread Forty-Seven. Itβs the last page from Ethel!! Classic work page. I do not usually share work stuff but this is all non-descript information on creating landscapes from DEM data. πΈ π βοΈKeep your distance Iβm quite ill. So canβt manage much more than watching University Challenge on series link.
Hereβs a drawing of Paxman mid-intro.
Notebook: Beto
Pencil 5 mins
πΊ π€ βοΈ
Going nowhere in the A370 for a good 40 minutes due to very high winds.
Drew some sheep.
Sheep in the wind.
Notebook: Beto
V-ball
π π π¨
204/365 New locations means bus trips up the hill for the occasional meeting. So here we have various random things drawn on the bumpy top deck ride down through Park Street and the rest.
Notebook: Gilbert.
V-ball 14 mins
π π π§€
Commuters on the triangle. Again drawn whilst waiting for the bus.
V-ball 20 mins
Notebook: Beto
πΆββοΈ π βοΈ