“Biro” by Honeyblood (2015)

 

 

Everyone is an author with something to say.
Everyone’s got a picture to paint.
My story will turn gold, or so I’ve been told.
It’s got ‘best-seller” written all over it.

All the pain you’ve been through will be the making of you.
All the pain you’ve been through, will be the making.

Nobody knows the trouble you’ve seen,
Nobody really comes close.
But you’re over it now, you can boast.
Each page printed is honest truth.
Troubles when they plagiarise you.
Shit to brand new, you’ll get around to it soon.

All the pain you’ve been through will be the making of you.
Tear the heart in two, it’ll be the making of you.

If I threw my pen into the sea,
I know they’ll be someone to write after me.

Will be the making of you.
All the pain you’ve been through will be the making of you.

Honeyblood

‘I set myself a schedule of three to five pages a day’

“With more than 40 works, five Man Booker nominations and a win under her belt, does she consider herself prolific? She scoffs at the word. “Joyce Carol Oates is prolific; I’m just old,” she says, drawing out the last word for laughs. At 75, she says writing hasn’t become any easier, listing her main distractions as laundry and emails. She sets herself a “schedule of pages rather than a schedule of times” aiming to write three to five pages a day. “You can cheat by increasing the type size,” she says. “Then you get really motivated and feel like you’re really speeding along.””

Man Booker-winning novelist Margaret Atwood explains how her dystopian visions of future are always inspired by the real world

“Marshall McLuhan, what are you doin’?”

“I’m making explorations. I don’t know where they’re going to take me…. I want to map new terrain rather than chart old landmarks… As an investigator, I have no fixed point of view, no commitment to any theory—my own or anyone else’s. As a matter of fact, I’m completely ready to junk any statement I’ve ever made about any subject if events don’t bear me out, or if I discover it isn’t contributing to an understanding of the problem. The better part of my work on media is actually somewhat like a safe-cracker’s. I don’t know what’s inside; maybe it’s nothing. I just sit down and start to work. I grope, I listen, I test, I accept and discard; I try out different sequences–until the tumblers fall and the doors spring open.”

Marshall McLuhan

 

Crash

“We live in a world ruled by fictions of every kind—mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer’s task is to invent the reality.”

J.G. Ballard

Lynda Barry: 2013 National Book Festival

“Cartoonist Lynda Barry appears at the 2013 Library of Congress National Book Festival. Speaker Biography: Lynda Barry is a writer and cartoonist who lives in rural Wisconsin. She’s authored 19 books and received numerous awards and honors for her work, including two William Eisner awards, the American Library Association’s Alex award, the Washington State governor’s award, the Wisconsin Library Association’s R.R. Donnelly award and the Museum of Wisconsin Arts Lifetime Achievement Award. Her work has appeared in many publications, including The New York Times, Los Angeles Times, Vanity Fair, Esquire, Newsweek, Time, Salon, Mother Jones, Poetry Magazine and Tin House. She is currently assistant professor in interdisciplinary creativity at the University of Wisconsin-Madison and a Discovery Fellow at the UW Wisconsin Institutes for Discovery. Her new graphic novel is “The Freddie Stories.” For captions, transcript, and more information visit http://1.usa.gov/1shC4TC

The Running Novelist

“When I think about it, having the kind of body that easily puts on weight is perhaps a blessing in disguise. In other words, if I don’t want to gain weight I have to work out hard every day, watch what I eat, and cut down on indulgences. People who naturally keep the weight off don’t need to exercise or watch their diet. Which is why, in many cases, their physical strength deteriorates as they age. Those of us who have a tendency to gain weight should consider ourselves lucky that the red light is so clearly visible. Of course, it’s not always easy to see things this way. I think this viewpoint applies as well to the job of the novelist. Writers who are blessed with inborn talent can write easily, no matter what they do—or don’t do. Like water from a natural spring, the sentences just well up, and with little or no effort these writers can complete a work. Unfortunately, I don’t fall into that category. I have to pound away at a rock with a chisel and dig out a deep hole before I can locate the source of my creativity. Every time I begin a new novel, I have to dredge out another hole. But, as I’ve sustained this kind of life over many years, I’ve become quite efficient, both technically and physically, at opening those holes in the rock and locating new water veins. As soon as I notice one source drying up, I move on to another. If people who rely on a natural spring of talent suddenly find they’ve exhausted their source, they’re in trouble.”

Haruki Murakami

“For now, just get the words out. Get the story down however you can get it down, then fix it.’

“For me, it’s always been a process of trying to convince myself that what I’m doing in a first draft isn’t important. One way you get through the wall is by convincing yourself that it doesn’t matter. No one is ever going to see your first draft. Nobody cares about your first draft. And that’s the thing that you may be agonizing over, but honestly, whatever you’re doing can be fixed.”

Neil Gaiman