If I don’t do it, I’ll stop doing it.

Great interview with Laurie Anderson on reality, virtual reality, working practices and the election. Worth reading all of it really.

This on Philip Glass and daily work:

I’ve been playing with Phil a lot lately. It’s been really, really interesting and fun, really nice. I remember one particular thing, the summer before this we were playing Ravello. It was a hard day. We had traveled there. We rehearsed. We’d done the show. We’d gone out for an endless dinner. It was two in the morning and we came back. I had to leave for Rome in a couple of hours. I was just packing and doing stuff. I came up from the garden and he was there with [his girlfriend] Sari. They had just done two hours of yoga. I was like, “Phil, it’s four in the morning. Couldn’t you do it tomorrow?” He said, “No, I wouldn’t of done it today. I need to do it everyday. If I don’t do it, I’ll stop doing it.” He’s like that with music, too. He’s so disciplined. It’s amazing. I’ve known Phil for many decades. He’s always been like that. He’s dedicated. He puts the time in. He’s also massively, musically talented… he’s a genius, and a hard working genius.

 

who continued to work as both a plumber and a taxi driver until his late 40s

“While working, I suddenly heard a noise and looked up to find Robert Hughes, the art critic of Time magazine, staring at me in disbelief. ‘But you’re Philip Glass! What are you doing here?’ It was obvious that I was installing his dishwasher and I told him I would soon be finished. ‘But you are an artist,’ he protested. I explained that I was an artist but that I was sometimes a plumber as well and that he should go away and let me finish.”

Philip Glass

Philip Glass – Geometry of Circles (Sesame Street) (1979)

“”Geometry of Circles” is a series of unnumbered animation pieces created for Sesame Street in 1979. Cathryn Aison commissioned Philip Glass to write music for animation based on her storyboard which had been submitted to and approved by Edith Zornow of CTW.

The shorts consist of the movement of six circles (each with a different color of the rainbow) that are formed by and split up into various geometric patterns. Glass’s music underscores the animation in a style that closely resembles the “Dance” numbers and the North Star vignettes written during the same time period as his Einstein on the Beach opera.”