Having a sunny english afternoon, this suits nicely.
Author: Paul Greer
Nirvana – Scentless Apprentice (1993)
Good vs. Bad Art
“Don’t think about making art, just get it done. Let everyone else decide whether it’s good or bad, whether they love it or hate it. While they’re deciding, make even more art.”
Notebook 2008 page 21
Lucien Freud
Queens of the Stone Age – Go With The Flow
EDIT: video replaced 2018 due to dead link
The Revolution for Everyday Life
“In an industrial society which confuses work and productivity, the necessity of producing has always been an enemy of the desire to create. What spark of humanity, of possible creativity, can remain alive in a being dragged out of sleep at six every morning, jolted about in suburban trains, deafened by the racket of machinery, bleached and steamed by meaningless sounds and gestures, spun dry by statistical controls, and tossed out at the end of the day into the entrance halls of railway stations, those cathedrals of departure for the hell of weekdays and the purgatory paradise of weekends, where the crowd communes in a brutish weariness? From adolescence to retirement each twenty-four-hour cycle repeats the same shattering bombardment, like bullets hitting a window: mechanical repetition, time-which-is-money, submission to bosses, boredom, exhaustion. From the crushing of youth’s energy to the gaping wound of old age, life cracks in every direction under the blows of forced labour. Never before has a civilization reached such a degree of contempt for life; never before has a generation, drowned in mortification, felt such a rage to live.”
Be A Nose
Film vs Comics
One of my big objections to film as a medium is that it’s much too immersive, and I think that it turns us into a population of lazy and unimaginative drones. The absurd lengths that modern cinema and its CGI capabilities will go in order to save the audience the bother of imagining anything themselves is probably having a crippling effect on the mass imagination. You don’t have to do anything. With a comic, you’re having to do quite a lot. Even though you’ve got pictures there for you, you’re having to fill in all the gaps between the panels, you’re having to imagine characters voices. You’re having to do quite a lot of work. Not quite as much work as with a straight unillustrated book, but you’re still going to do quite a lot of wo-rk.
I think the amount of work we contribute to our enjoyment of any piece of art is a huge component of that enjoyment. I think that we like the pieces that engage us, that enter into a kind of dialog with us, whereas with film you sit there in your seat and it washes over you. It tells you everything, and you really don’t need to do a great deal of thinking. There are some films that are very, very good and that can engage the viewer in their narrative, in its mysteries, in its kind of misdirections. You can sometimes get films where a lot of it is happening in your head. Those are probably good films, but they’re not made very much anymore.
Paul Greer 