Hourly Comics Day

First thing next morning looking over it, it didn’t turn out as I expected, I meant to do it all myself, but chores and parental stuff took over, and once the children had seen what i was doing they all wanted to do it themselves.

So the experience has been great for three reasons:

1). Introducing me to the idea of diary comicing again. something I’d like to keep trying, because I do believe it helps fluency.

2). My wife really got into drawing her bit, and was inspired to do the “butterfly parade” page at the end there. That made her very happy.

3). Introducing my children to the idea of drawing comics. They’ve seen me sitting about drawing in little books, but was great to invite them in and then see them taking part.

My Eldest was so inspired, she ended up continutng her own spin-off-cross-over piece I’ll attach below.

So we all had a full day and a great time doing the comic, hopefully I’ll be on board next year.

cheers then

PG

x

You can see our comic here.

“On Photography”

“It is a nostalgic time right now and photographs actively promote nostalgia. Photography is an elegiac art, a twilight art. Most subjects photographed are, just by virtue of being photographed, touched with pathos. An ugly or grotesque subject may be moving because it has been dignified by the attention of the photographer. A beautiful subject can be the object of rueful feelings, because it has aged or decayed or no longer exists. All photographs are memento mori. To take a photograph is to participate in another person’s or thing’s) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt.”

Susan Sontag

via

 

Stan Brakhage – Comingled Containers (1996)

“Comingled Containers is an experimental short film by Stan Brakhage. “This ‘return to photography’ (after several years of only painting film) was made on the eve of cancer surgery – a kind of ‘last testament,’ if you will… an envisionment of the fleeting complexity of worldly phenomenon.””

“Commingled Containers is often interpreted in light of Brakhage’s health problems at the time, and is considered to represent the director’s own spiritual quest.  Scott MacDonald describes the film as “a talisman that expresses Brakhage’s determination to continue his spiritual quest and to offer viewers something of Light, despite his fear of mortality, for as long as it was given to him to remain in the flow of life.” R. Bruce Elder wrote that Commingled Containers, unlike most of Brakhage’s work, “remains a nearly organic (or biomorphic) abstraction across its entire length.””

Badd Strips