Intermittently Regular #365 Sketch Project Update 102-116

Incorporating Dismaland visit and the completion of the pub drawing.

All images link back to original Instagram postings.

If you’d like more immediate updates you can follow on Instagram, Twitter or Facebook.

Other 365 drawings can be found here.

 

102/365 Lunchtime car drawing. 10 mins Stabilo point 88. Notebook: Artemis.
103/365 Fixing mechanism on the Draper Telescopic Trestle that supports my standing desk. Drawn whilst waiting for a thing. Uni ball micro. 7 mins. Notebook: Ethel.
104/365 View from window at work. It’s taken some time this one. This is probably the fifth update? I thought I’d get the leaves done before they fell off again. Drawn whilst waiting for large framed Arnold test renders. Time: unknown. Pencil. Notebook: Ethel.
105/365 Japanese anemones. Catching these before they keel over too. DRAW ALL THE FLORA ASAP. Coloured Stabilo point 88. 20 mins. Notebook: Ethel
106/365 More work on the sketch of the beloved Vittoria begun on 91/365. Still warm enough to sit outside so. Pencil. 15 mins. Notebook: Ethel.
107/365 Various species of scooter from outside Whiteladies Scooter shop. Some of them might be the same scooter, some of them may be the amalgamation of two. Lovely day though. 10 mins Straight to Uni-ball Eye Micro. Notebook: Artemis (homemade)
108/365 Tea break drawing of the Gardena THS 400 which I recently have been wielding up ladders, trimming the hedges,bushes, trees and other rampant plant life as one does in the Autumn. 7 mins Straight to Uniball Micro. Notebook: Ethel.
109/365 View across to the Ring o’Bells and the Holy Trinity from the Grove. Another bonus summer weekend, a walk in the park, football, jumpers for goalposts etc etc. Time for the bears to start hibernating soon, no? Two colour Stabilo point 88. 15 mins. Notebook: Ethel
110/365 Desk fan. Dealing will the heat generated by the all heavy heavy brain activity. 15 mins Multicoloured Stabilo. Notebook: Ethel
111/365 Shoes, trainers and boots of various kinds. Season changes, footware changes. Ka-Ching🎶!!! You know how it goes. Straight to Uniball Micro. 15 minutes. Notebook: Ethel

 

112/365 Half full glass on patterned table cloth. Multi-coloured Stabilo. 16 mins Notebook: Ethel.
IMG_1628
113/365 Dismaland doodling. Quite good there, it is. Very lucky to get tickets, thanks S. Anniversary treat. A reminder of life before parenthood. Uniball. Notebook: Artemis.
IMG_1634
114/365 Another lunch break pass at the architectural complexity that is the Vittoria. One more go after this and I think it might be done. Pencil Notebook: Ethel
115/365 Saplings in Leigh Woods, drawn on the move whilst discussing the merits of time travel in narrative forms. It was agreed Days of Future Past was a bad example, I cited Philip K Dick’s The Skull as a good one. 5 mins (with distraction) Black Stabilo Notebook: Artemis.

 

116/365 Busy old week, just managed to fit in a big finish for the blessed Vittoria. I think the notebook paper has taken as much as it can with all the scratching away. Omitted the benches and the chalk board but they were always in different places each sitting. Pencil. Notebook: Ethel.

 

Intermittently Regular 365 Sketch Project Update 90-101

Again, who cares if I’m not daily. This collection contains drawings made during our 2 week family holiday to St. Ives Bay between Gwithian and Hayle. We had a wonderful time and it was something all of us needed after a particularly textural year. My only regret with these is I didn’t take any colour facility, but I was resting.

All images link through to the Instagram post from whence they came. An angel meets a fairy every time you click through and give one of the drawings a like.

90/365 White ladies Road walkers walking. Long day doing very slow test render frames, heavy ray tracing. Took to drawing people going by outside. There are two trees framing my vantage point, so I had 2 to 4 seconds (depending on pedestrian velocity) to see the individual, then made the marks after they had disappeared from view. Reminds me of a life drawing exercise where model and easel are placed in separate rooms, sometimes separate floors to promote the act of looking. Bonus traffic cones. V-ball. Notebook: Ethel

 

91/355 The hallowed Vittoria on Whiteladies Road. Home to the occasional accidentally lost evening. Currently doing a nice line in sandwiches. A bit rusty and I bit of more than I can chew with the architectural aspects. At some point one realises one should’ve measured stuff. Probably will return to this. 30mins. (Lunch break) Pencil. Notebook: Ethel.
2/365 The washing up needed doing and I could only find a biro. 5 mins. Pen. Notebook: Ethel
92/365 The washing up needed doing and I could only find a biro. 5 mins. Pen. Notebook: Ethel
93/365 Fallen slightly behind in uploading these, so prepare for high volume. We just got back from 2 weeks in St. Ives Bay, and although the area has a reputation for art and drawing my main plan for the holiday was to do very little. However drawings did occur. Here’s some windows from the nearby town of Hayle. Straight to V-Ball. 2 mins. Notebook: Artemis.
94/365 View of St Ives from the beach across the bay. If I had taken watercolours I could done a sketch of this every hour a not come up with two the same, the light and colour are constantly changing. Straight to V-Ball. 10 mins. Notebook: Ethel.
95/365 I spent most of the holiday trying to be without my phone. So when my Youngest completed a rather impressive sand castle complex then asked me to take a photo, I crumbled with regret. The only option was to draw it instead (like they did in the old days). In the face of my obvious disappointment at the result, Youngest deemed it an accurate reflection of his efforts. Pencil. 15 minutes. Notebook: Ethel.
96/365 One of the life guard stations on St. Ives Bay beach, partly hidden in the dunes and the grass. They attend from 10-6 to save your life. Blessed are they all. Pencil. 20 mins. Notebook: Ethel
97/365 Sitting in the Ice Cream Parlour on the sea front of St. Ives (I wasn’t eating because I’m watching my figure), looking across the bay with Porthminster Beach on the right there. Fond memories of St Ives from many years past when lack of children meant we could visit out of season, and walk the empty beautiful streets at leisure. Still good though. Straight to V-Ball. 5 minutes. Notebook: Artemis
98/365 Various people on the beach on St Ives Bay. Including surfers, families, lifeguards, hikers, dogs, flags, kites. Most of human life passing the time. Straight to V-Ball. 20 mins. Notebook: Ethel.
99/365 Super fast rooftop study. Waiting for the shopping expedition to return. Hayle. Pencil. 4 mins. Notebook: Artemis
100/365 That’s number ONE HUNDRED😀🎉🎉🎉🎉👌👍 Houses and shop fronts through bushes. Hayle. That’s bunting not Tibetan Prayer Flags #notbristol. Multicoloured biro. 15 mins Notebook: Ethel NUMBER ONE HUNDRED, I said. Dooosh!
101/365 Godrevy Lighthouse viewed from St Ives Bay Beach. The last one for today you’ll be relieved to hear. Again given a watercolour set and the inclination I could’ve made a sketch every hour and ended the fortnight with a hundred and a half of pictures all very different in colour and mood such was the transient nature of the light there. Pencil. 25 mins Notebook: Ethel

Animated Journal S02E01

After some interesting conversations with friends and some on-line encouragement I’ve decided to start the Animated Journal again.

As always it was always about turning the process of animation into an accessible and ephemeral thing rather than the extremely lengthy and complicated process of tradition, and to really try to show how something felt in a particular moment.

These are from elements captured in Leigh Woods a few weeks ago.

Since I completed the first one we’ve had the progression of things like Vine and Instagram video which mean many more people have been playing and being very creative with the very short form. You can find the original Journal here.

Please enable sound

Mostly Regular #365 Drawing Project Update 83-89

Progress, progress, limping into action. Always reminding myself how it gets easier the more often I do it so it encourages me to keep going. The pockets of time are there it is usually just a question of being ruthless with oneself.

So if drawing had value even when it was practised by people with no talent, it was for Ruskin because drawing can teach us to see: to notice properly rather than gaze absentmindedly. In the process of recreating with our own hand what lies before our eyes, we naturally move from a position of observing beauty in a loose way to one where we acquire a deep understanding of its parts.

The Book Of Life

Couple this with the basic idea of habit forming and applied consistency:

Let no youth have any anxiety about the upshot of his education, whatever the line of it may be. If he keep faithfully busy each hour of the working-day, he may safely leave the final result to itself. He can with perfect certainty count on waking up some fine morning, to find himself one of the competent ones of his generation, in whatever pursuit he may have singled out. Silently, between all the details of his business, the power of judging in all that class of matter will have built itself up within him as a possession that will never pass away. Young people should know this truth in advance. The ignorance of it has probably engendered more discouragement and faint-heartedness in youths embarking on arduous careers than all other causes put together.

William James

Maybe that inspires you. Who knows.

Back to my efforts. As ever there is a link to the Instagram post in the caption of the picture:

83/365 Week off art. Drawing the bed before the weeding. Buttercups and honeysuckle. I am officially in 3rd gear. Straight to Uni-ball micro. 30 mins. Notebook: Ethel.
83/365
Week off art.
Drawing the bed before the weeding.
Buttercups and honeysuckle.
I am officially in 3rd gear.
Straight to Uni-ball micro.
30 mins.
Notebook: Ethel.
84/365 Tree stumps drawn on the slow move in Leigh Woods. Pen Notebook: Artemis
84/365
Tree stumps drawn on the slow move in Leigh Woods.
Pen
Notebook: Artemis
86/365 Hanging branch of Russian Vine with a hint of shed. Pencil. Notebook: Ethel
86/365
Hanging branch of Russian Vine with a hint of shed.
Pencil.
Notebook: Ethel
87/365 It was Three Dog Friday at BDH towers today. Beryl, Rufus and Ralph. Patterdale Terrier, Boxer and Cavalier Poodle Cross respectively. Some cubist elements due to constant movement. Uniball Micro. Notebook: Ethel.
87/365
It was Three Dog Friday at BDH towers today. Beryl, Rufus and Ralph. Patterdale Terrier, Boxer and Cavalier Poodle Cross respectively.
Some cubist elements due to constant movement.
Uniball Micro.
Notebook: Ethel.
88/365 Throwback to last Thursday's #BDHunzipped event. That's Steve, John and Rob (the B, the D and the H respectively) on stage there, being asked questions about their twenty years since founding the company. I meant to do a series but I forgot my glasses so I basically drew this blind, then got lost in the endless spiral of a Rob's scarf. Pencil. Notebook: Artemis
88/365
Throwback to last Thursday’s #BDHunzipped event.
That’s Steve, John and Rob (the B, the D and the H respectively) on stage there, being asked questions about their twenty years since founding the company.
I meant to do a series but I forgot my glasses so I basically drew this blind, then got lost in the endless spiral of a Rob’s scarf.
Pencil.
Notebook: Artemis
89/365 Another catch up. Very fast doodle of the insides of the fridge at my beloved local chip shop. Filled with a variety of sugary enticing nastiness. Drawn at speed. V-ball. Notebook: Artemis.
89/365
Another catch up. Very fast doodle of the insides of the fridge at my beloved local chip shop. Filled with a variety of sugary enticing nastiness.
Drawn at speed.
V-ball. Notebook: Artemis.

Extremely Undaily 365 Drawing Project Update 72-82

There’s good few months between the first and the last on this post. I have mentioned the events over the winter which have compromised my progress somewhat.

A 365 daily drawing project begun in good faith, but thwarted by life, death, progress and other forces. I have since scaled it back to “regular” but I still aim to fulfil the 365 target.

The process has thrown up so many unexpected things, ideas, personal development, a noticing of what I notice, discovery of stories, and connection with other people, none of which would have happened otherwise. So I would recommend trying it, as long as time keeping is your strong point and don’t value your sanity much.

Now dust had settled I recommence with added perspective and purpose.

All images should link back to the Instagram post whence they came.

If you’re interested in seeing the rest, most are in gallery form here, and you can see all the previous posts about the project here. If you would like more instant updates on this you can follow me on Instagram, Twitter or Facebook, if you like those sorts of things.

74/365 Various people on Whiteladies Road. Pencil and V-ball. Notebook: as-yet-still-untitled https://instagram.com/p/uOSs5mny2C/
74/365
Various people on Whiteladies Road.
Pencil and V-ball.
Notebook: as-yet-still-untitled
here
75/365. Various folks walking down Whiteladies. Drawn without looking. Snapseed accident. Pencil. Notebook: Ethel
75/365.
Various folks walking down Whiteladies.
Drawn without looking.
Snapseed accident.
Pencil.
Notebook: Ethel
76/365. Horses in motion. With special emphasis on the ears. Pencil. Notebook: Ethel. https://instagram.com/p/u225_NHyy9/
76/365.
Horses in motion.
With special emphasis on the ears.
Pencil.
Notebook: Ethel.

77/365 View out of and during a quiet window at lunchtime. First one I have managed since the bereavement, so I am just going to pick up where I left off with the numbering and carry on. Bit rusty to say the least, it's incredible to think how confident and fluid you become with just a small bit of observational drawing every day. I can see this one growing out sideways like those others. Having a Kate Bush day in the office. Pencil and Pilot 0.5 V-ball. Notebook: Ethel. https://instagram.com/p/yZrGiXHy0o/
77/365
View out of and during a quiet window at lunchtime.
First one I have managed since the bereavement, so I am just going to pick up where I left off with the numbering and carry on.
Bit rusty to say the least, it’s incredible to think how confident and fluid you become with just a small bit of observational drawing every day.
I can see this one growing out sideways like those others.
Having a Kate Bush day in the office.
Pencil and Pilot 0.5 V-ball.
Notebook: Ethel.

78/365 Cars, looking into the morning sun drawn yesterday morning waiting for Halfords to open after blowing a headlamp bulb. Yesterday was all about wheels turning, big new project beginning, new boiler actually working, technology happening. Pencil and V-ball. Notebook: Ethel https://instagram.com/p/yeGus4ny1F/
78/365
Cars, looking into the morning sun drawn yesterday morning waiting for Halfords to open after blowing a headlamp bulb.
Yesterday was all about wheels turning, big new project beginning, new boiler actually working, technology happening.
Pencil and V-ball.
Notebook: Ethel

79/365 Back after a long break (bean busy see blog for explanation). Bits of horse, mostly eyes. Clevedon Riding Centre, whilst Second Youngest takes a lesson. Pencil. Notebook: Artemis. https://instagram.com/p/2va8tSny8S/
79/365
Back after a long break (bean busy see blog for explanation).
Bits of horse, mostly eyes.
Clevedon Riding Centre, whilst Second Youngest takes a lesson.
Pencil.
Notebook: Artemis.

80/365 Work (actual) desktop, the bit inbetween the screens anyway. Drawn badly over a two day period whilst test rendering frames. V-ball Notebook: Ethel https://instagram.com/p/23xiEOny-4/
80/365
Work (actual) desktop, the bit inbetween the screens anyway. Drawn badly over a two day period whilst test rendering frames.
V-ball
Notebook: Ethel

81/365 Bit more done to the long term project that is the view over the road. Previously featured as 23/365 and 12/365. Feeling good today. Drawing helps. I have started collecting these on a single page on my blog, go there (link in my bio), and click on 365 on the menu. Also there is a link to my Facebook page which I have just cranked into action again. These drawings will go there as well as anything else I might see fit. Look for the Facebook "F" on the sidebar if you like Facebook. Pencil. Notebook: Ethel https://instagram.com/p/26bTgYHyzY/
81/365
Bit more done to the long term project that is the view over the road. Previously featured as 23/365 and 12/365.
Feeling good today. Drawing helps.
I have started collecting these on a single page on my blog, go there (link in my bio), and click on 365 on the menu. Also there is a link to my Facebook page which I have just cranked into action again. These drawings will go there as well as anything else I might see fit. Look for the Facebook “F” on the sidebar if you like Facebook.
Pencil.
Notebook: Ethel

82/365 Ye olde plastic garden chair. A small window of seasonally appropriate weather hits the UK. Everyone panics. But then a cold breeze resumes so. Pencil. Notebook: Ethel. https://instagram.com/p/3B3z3_ny2r/
82/365
Ye olde plastic garden chair.
A small window of seasonally appropriate weather hits the UK. Everyone panics. But then a cold breeze resumes so.
Pencil.
Notebook: Ethel.

Paul Thek: Notebooks

Thek [was] an avid keeper of journals, producing over a hundred between 1969 and 1980. Complex and varied, the journals form an intimate and often intense portrait of an energetic mind. Most are written in ordinary school notebooks, with routine accounts of Thek’s days punctuated by emotionally raw passages of self-reflection, analysis of his closest (and, at times, most troubled) personal relationships, and as time progressed, evidence of a growing paranoia. In perfect script, he copied page after page of writings that he admired by Saint Augustine, Ananda K. Coomaraswamy, William Blake, and others. Copying was clearly a meditation for him, a spiritual exercise and, as such, an antidote to anxiety and to what he knew was his own pettiness and anger. But the journals are full of moments of joyful exuberance and artistic bravura as well: celebrations of sex, silly word games, and a range of visual expression, from simple marks and comic sketches to intimate, exquisite watercolors of the sea.”