“O Stella – Dress – Hair” by PJ Harvey (1992)

 

The band relocated to London in June 1991 when Harvey applied to study sculpture at Central Saint Martins College of Art & Design, still undecided as to her future career. During this time, the band recorded a set of demo recordings and distributed them to record labels. Independent label Too Pure agreed to release the band’s debut single “Dress” in October 1991, and later signed PJ Harvey. “Dress” received mass critical acclaim upon its release and was voted Single of the Week in Melody Maker by guest reviewer John Peel, who admired “the way Polly Jean seems crushed by the weight of her own songs and arrangements, as if the air is literally being sucked out of them … admirable if not always enjoyable.” However, Too Pure provided little promotion for the single and critics claim that “Melody Maker had more to do with the success of the “Dress” single than Too Pure Records.” A week after its release, the band recorded a live radio session for Peel on BBC Radio 1 on 29 October featuring “Oh, My Lover”, “Victory”, “Sheela-Na-Gig” and “Water”.”

See Also  (<<– i was actually at this particular gig)

The future, in fiction, is a metaphor.

“All fiction is metaphor. Science fiction is metaphor. What sets it apart from older forms of fiction seems to be its use of new metaphors, drawn from certain great dominants of our contemporary life—science, all the sciences, and technology, and the relativistic and the historical outlook, among them. Space travel is one of these metaphors; so is an alternative society, an alternative biology; the future is another. The future, in fiction, is a metaphor.

A metaphor for what?

If I could have said it non-metaphorically, I would not have written all these words, this novel…”

 –  Ursula K. Le Guin, 1976 Foreword to The Left Hand of Darkness (via Nearlya)