“I want to reveal what is usually kept hidden – it is no game – I tried to open peoples eyes to new realities: it is as true of the doll photographs as it is of Petit Traite de la Morale. The anagram is the key to my work. This allies me to the Surrealists and I am glad to be considered part of that movement, although I have less concern than some Surrealists with the subconscious, because my works are carefully thought out and controlled. If my work is found to scandalise, that is because for me the world is scandalous.”
“I don’t have a clue. Ideas are simply starting points. I can rarely set them down as they come to my mind. As soon as I start to work, others well up in my pen. To know what you’re going to draw, you have to begin drawing… When I find myself facing a blank page, that’s always going through my head. What I capture in spite of myself interests me more than my own ideas.”
I had a week off work so I spent the time in the garden and catching up on TV.
“Culture, after all, is a matter of constructing a relationship between oneself and the world. “People have to have a language to speak about where they are and what other possible futures are available to them,” he observed, in his 1983 lectures. “These futures may not be real; if you try to concretize them immediately, you may find there is nothing there. But what is there, what is real, is the possibility of being someone else, of being in some other social space from the one in which you have already been placed.” He could have been describing his own self-awakening.”
— Hua Hsu
“Suppose that a ramp leading to the top of a ziggurat wall is 56 cubits long, and the vertical height of the ziggurat is 45 cubits. What is the distance x from the outside base of the ramp to the point directly below the top? (Ziggurats were terraced pyramids built in the ancient Middle East; a cubit is a length of measure equal to about 18 inches or 44 centimeters.)”
“I like to calmly and rationally discuss my views in a conformist manor even though I consider myself to the extreme left.
I like to infiltrate the mechanics of a system by posing as one of them, then slowly start the rot from the inside of the empire.”
More in #notebooks:
- Dream 20.04.10
- Notebook Pages
- Project Ethel (27.05.14 – 07.01.16): Pages 9-17
- ADOLF WÖLFLI (1864-1930)