found via Kottke
“Coloney and Fairchild’s patented apparatus required that the single sheet be cut into strips, attached end-to-end, mounted on linen, and then rolled inside a wooden, metal, or paper spool (fig. 4). The resulting portability of the map was crucial because, as advertisements indicated, it was intended for business travelers, steamboat navigators, and tourists. Of this form, the Newberry Library and the Minnesota Historical Society Library hold what seems to be a first edition, while nearly a dozen archives around the U.S. hold an updated second version. With the addition of hundreds of towns, mile markers, islands, landings, landowner and plantation names, and significant Civil War locations, the Lower Mississippi appears to be a settled and thriving commercial space.”
— Nenette Luarca-Shoaf
Larger versions of the image can be found here.
“For over 150 years scientists have tried to solve the mystery of a controversial cuneiform clay tablet that indicates the so-called Köfel’s impact event was observed in ancient times. The circular stone-cast tablet was recovered from the 650 BC underground library of King Ashurbanipal in Nineveh, Iraq in the late 19th century. Long thought to be an Assyrian tablet, computer analysis has matched it with the sky above Mesopotamia in 3300 BC and proves it to be of much more ancient Sumerian origin. The tablet is an “Astrolabe,” the earliest known astronomical instrument. It consists of a segmented, disk-shaped star chart with marked units of angle measure inscribed upon the rim.”
Upon posting this item I got some feedback from internet friend and self-proclaimed Noticer Of Things, Chris Harris. Please find his updates below:
‘Our anxiety around drawing starts around puberty, when we begin self-critiquing our abilities to render a perfect likeness, Dowd says. “The self-consciousness associated with ‘good’ drawing, or a naive form of realism, is mostly to blame,” he explains to Quartz. ”If you take a step back, and define drawing as symbolic mark-making, it’s obvious that all human beings draw. Diagrams, maps, doodles, smiley faces: These are all drawings!”’
–– Drawing shouldn’t be about performance, but about process.
According to art historian Albert Elsen, Schiele used Auguste Rodin’s continuous drawing technique to create his loose, fluid figurative sketches.
— Five things to know: Egon Schiele| Tate