Process and success

“Again and again I therefore admonish my students in Europe and America: Don’t aim at success – the more you aim at it and make it a target, the more you are going to miss it. For success, like happiness, cannot be pursued; it must ensue, and it only does so as the unintended side effect of one’s personal dedication to a cause greater than oneself or as the by-product of one’s surrender to a person other than oneself. Happiness must happen, and the same holds for success.”

Victor Frankl

via notational

Using Meditation as an Anchor of Creative Integrity

“I came from painting. And a painter has none of those worries. A painter paints a painting. No one comes in and says, “You’ve got to change that blue.” It’s a joke to think that a film is going to mean anything if somebody else fiddles with it. If they give you the right to make the film, they owe you the right to make it the way you think it should be — the filmmaker. The filmmaker decides on every single element, every single word, every single sound, every single thing going down that highway through time. Otherwise, it won’t hold together. When there’s even a little hint of pressure coming from someplace else — like deadlines or going overbudget… — this affects the film. And you just want support, support, support… in a perfect world… so that you can really get the thing to be correct.”

David Lynch

The Bechdel Test

“Yes, the Bechdel Test. It’s named for Alison Bechdel, who is a comic book creator. The test is, are there two named women in the film? Do they talk to each other? And is it about something other than a man? I actually think the Bechdel Test is a little advanced for us sometimes. I have one called the Sexy Lamp Test, which is, if you can remove a female character from your plot and replace her with a sexy lamp and your story still works, you’re a hack.”

— Comic book writer Kelly Sue DeConnick (Captain MarvelAvengers Assemble)

This is a Volvelle a Medieval Computer…


Volvelle

“This is a volvelle, a medieval device that allowed you to calculate the phases of the moon and the latter’s position in relation to the sun. The dials, with their charming depictions of moon and sun, tell you what you need to know. What’s most remarkable about the device is not so much its crafty nature – it consists of complex layers of rotating disks – but that it is usually fitted inside a medieval book. Some are so bulky that they pierce the adjacent pages. What a surprise it must have been for the medieval reader who thumbed through such a book for the first time. Turning a page, he or she was confronted with an ingenious piece of machinery. A medieval computer.”

Erik Kwakkel