Marilyn Monroe’s 1955 New Year’s resolution list,



“Must make effort to do
Must have the dicipline to do the following –

z – go to class – my own always – without fail

x – go as often as possible to observe Strassberg’s other private classes

g – never miss actor’s studio sessions

v – work whenever possible – on class assignments – and always keep working on the acting exercises

u – start attending Clurman lectures – also Lee Strassberg’s directors lectures at theater wing – enquire about both

l – keep looking around me – only much more so – observing – but not only myself but others and everything – take things (it) for what they (it’s) are worth

y – must make strong effort to work on current problems and phobias that out of my past has arisen – making much much much more more more more more effort in my analisis. And be there always on time – no excuses for being ever late.

w – if possible – take at least one class at university – in literature –

o – follow RCA thing through.

p – try to find someone to take dancing from – body work (creative)

t – take care of my instrument – personally & bodily (exercise)

try to enjoy myself when I can – I’ll be miserable enough as it is.”

— via ListsOfNote

Louis Armstrong & His Hot Five, feat. Earl Hines: Basin Street Blues, December 4, 1928

 

“Louis Armstrong and His Hot Five play the Basin St Blues, named after the famous New Orleans French Quarter avenue. The regular group of Johnny St Cyr on banjo, Lil Hardin on piano, Kid Ory on trombone and Johnnie Dodds on clarinet is not heard on this cut. On this recording, we have Mancy Cara on banjo, Jimmy Strong replacing Dodds on clarinet, Fred Robinson takes over on trombone, Earl Hines replaces Lil on piano and with his celesta, and Zutty Singleton is added at drums. Of course, Louis Armstrong leads with his cornet and vocals. This recording was made for Okeh on December 4, 1928 in Chicago.”

This Is Not Reality

reblogged form motleyglue:

“So about those Polar Bears. Let’s be clear; nature does not line itself up, all “raw” and “visceral” and hurl itself into our telly screens for consumption. It’sproduced; from the moment a documentary is concieved, it is contrived and constructed.

Okwonga’s angle typifies our habitual misconception and fetishisation of photo-reality as reality. (But this guy works in media? Don’t they immunise you against that on the first day?).  Reality, went. Ages ago.  And the line between photoreality and ‘CGI’ is pixel-thin, overlayed a few times and with a shed-load of blur to give the impression of depth of field.

(It’s all ‘enhanced’! Everything!! Look!!!)

OK that’s not so bad. What’s terrible is that anyone gives a monkey /polar bear/ whatever. Because in the REAL world, Cameron has left the UK floating up the Atlantic without a paddle, or a friend (except the US, but that’s ok cuz the dollar will never collapse, right?), and the inquiry into the really properly morally destitute media whores is re-opened.

I don’t subscribe to the theory of a singly masterminded conspiracy. But. When the media is so desperate to distract us from both what IS newsworthy, and from the stink of its own backfired distractions – with a well-timed soup of such cute fluff and contrived confrontation as would make Simon Cowell proud – the icky symbiosis of governance and media is horribly, scarily obvious.

The reality or honesty that I want from media is more fundamental than location or editing. If necessary, composite Cameron’s head onto some fuzzy bear cubs, and then lets have discussion and debate of something relevant to our interests.”