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My name is Paul Greer, I work full time at BDH, making computer animation for the telly.
This is a scrapbook where I gather, research and organise things I see, find or am shown.

Including film, photos, stories, music, thought, comics, note taking, realities and math.

My update blog is here.

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Bellicorum Instrumentorum Liber

Image | | Paul Greer
The First Italian Technology Manuscript
The First Italian Technology Manuscript

“A generation before the extraordinary machine drawings of Leonardo da Vinci, the first technology manuscript of the Italian Renaissance was produced by a Venetian scholar who had familiarised himself with the handful of books on the mechanical arts from the Greek and Arabic traditions.”

The First Italian Technology Manuscript
The First Italian Technology Manuscript

“Giovanni da Fontana (?1395-1455) obtained degrees in arts and medicine in Padua and was appointed physician to the Venetian army in Brescia. He had a wide range of interests and studied historical works on optics, astrology/alchemy (intrinsic medical studies back then), pneumatic and hydraulic mechanics, military machines and the art of memory.”

–from Bibliodyssey

“What I’m Talking About When I Talk About Magic”

Quote | | Paul Greer

“…What I’m suggesting is that feng shui and an awful lot of other things are precisely of that kind of problem. There are all sorts of things we know how to do, but don’t necessarily know what we do, we just do them. Go back to the issue of how you figure out how a room or a house should be designed, and instead of going through all the business of trying to work out the angles and trying to digest which genuine architectural principles you may want to take out of what may be a passing architectural fad, just ask yourself, ‘How would a dragon live here?’ We are used to thinking in terms of organic creatures; an organic creature may consist of an enormous complexity of all sorts of different variables that are beyond our ability to resolve, but we know how organic creatures live. We’ve never seen a dragon, but we’ve all got an idea of what a dragon is like, so we can say, ‘Well, if a dragon went through here, he’d get stuck just here and a little bit cross over there because he couldn’t see that and he’d wave his tail and knock that vase over.’ You figure out how the dragon’s going to be happy here, and lo and behold, you’ve suddenly got a place that makes sense for other organic creatures, such as ourselves, to live in.

So my argument is that as we become more and more scientifically literate, it’s worth remembering that the fictions with which we previously populated our world may have some function that it’s worth trying to understand and preserve the essential components of, rather than throwing out the baby with the bath water; because even though we may not accept the reasons given for them being here in the first place, it may well be that there are good practical reasons for them, or something like them, to be there. I suspect that as we move farther and farther into the field of digital or artificial life, we will find more and more unexpected properties begin to emerge out of what we see happening and that this is a precise parallel to the entities we create around ourselves to inform and shape our lives and enable us to work and live together. Therefore, I would argue that though there isn’t an actual God, there is an artificial God, and we should probably bear that in mind…”

— Douglas Adams, “Is There an Artifical God?” (Extemporaneous speech given at Digital Biota 2: Cambridge, SEPTEMBER 1998)

via ekstasis

‘Ezo-shi’ by Arai Hakuseki (1720)

Image | | Paul Greer


'Ezo-shi' by Arai Hakuseki (1720)

“The Ainu are generally considered to be the indigenous population of Japan. But, like all cultures on earth, the history of the Ainu is much more complex than any one label. The 20,000 to 60,000 people who presently identify themselves as Ainu are concentrated on Japan’s northern island of Hokkaido, but the Ainu culture once stretched up to the southern part of Sakhalin Island and the Kurile Islands (now part of Russia).”

from BibliOdyssey

Tableau d’Astronomie et de Sphère

Image | | Paul Greer
H'Atlas Universel d'Histoire et de Geographie Anciennes et Modernes, de Mythologie, des Religions, d'Astronomie, de Physique, de Geologie, de Histoire Naturelle, de Grammaire, de Rhetorique..' by Henri Duval, 1834; published in Paris by L Houbloup.
H’Atlas Universel d’Histoire et de Geographie Anciennes et Modernes, de Mythologie, des Religions, d’Astronomie, de Physique, de Geologie, de Histoire Naturelle, de Grammaire, de Rhetorique..’ by Henri Duval, 1834; published in Paris by L Houbloup.

'General Atlas Of The World: Containing Upwards Of Seventy Maps. Engraved On Steel, In The First Style Of Art, By Sidney Hall, William Hughes, F.R.G.S., &c. New Edition. Embracing All The Latest Discoveries Obtained From Government Surveys And Expeditions, Books Of Recent Travel, And Other Sources, Including The North-West Passage Discovered By H.M. Ship Investigator. With Introductory Chapters On The Geography And Statistics Of The Various Countries Of The World, And A Complete Index Of 65,000 Names' by Adam & Charles Black, Sidney Hall and William Hughes, 1854; published in Edinburgh by A & C Black.
‘General Atlas Of The World: Containing Upwards Of Seventy Maps. Engraved On Steel, In The First Style Of Art, By Sidney Hall, William Hughes, F.R.G.S., &c. New Edition. Embracing All The Latest Discoveries Obtained From Government Surveys And Expeditions, Books Of Recent Travel, And Other Sources, Including The North-West Passage Discovered By H.M. Ship Investigator. With Introductory Chapters On The Geography And Statistics Of The Various Countries Of The World, And A Complete Index Of 65,000 Names’ by Adam & Charles Black, Sidney Hall and William Hughes, 1854; published in Edinburgh by A & C Black.

A time table indicating the difference in time between the principal cities of the World and also showing their air-line distance from Washington. - 'Mitchell's New General Atlas, Containing Maps Of The Various Countries Of The World, Plans Of Cities, Etc., Embraced In Ninety-Three Quarto Maps, Forming A Series Of One Hundred and Forty-seven Maps and Plans, Together With Valuable Statistical Tables..' by Samuel Augustus Mitchell Jr, 1883; published in Philadelphia by WM Bradley.
A time table indicating the difference in time between the principal cities of the World and also showing their air-line distance from Washington. – ‘Mitchell’s New General Atlas, Containing Maps Of The Various Countries Of The World, Plans Of Cities, Etc., Embraced In Ninety-Three Quarto Maps, Forming A Series Of One Hundred and Forty-seven Maps and Plans, Together With Valuable Statistical Tables..’ by Samuel Augustus Mitchell Jr, 1883; published in Philadelphia by WM Bradley.

From BliOdyssey

Monomyth / Hero’s Journey

Image | | Paul Greer
By scan from an unknown publication by an anonymous poster, in a thread, gave permission to use it. Re-drawn by User:Slashme - 4chan.org, thread about monomyths, AKA the hero's journey, Public Domain, https://commons.wikimedia.org/w/index.php?curid=10284342
By scan from an unknown publication by an anonymous poster, in a thread, gave permission to use it. Re-drawn by User:Slashme – 4chan.org, thread about monomyths, AKA the hero’s journey, Public Domain, https://commons.wikimedia.org/w/index.php?curid=10284342

 

 

“The study of hero myth narratives started in 1871 with anthropologist Edward Taylor’s observations of common patterns in plots of hero’s journeys. Later on, others introduced various theories on hero myth narratives such as Otto Rank and his Freudian psychoanalytic approach to myth, Lord Raglan’s unification of myth and rituals, and eventually hero myth pattern studies were popularized by Joseph Campbell, who was influenced by Carl Jung’s view of myth. In his 1949 work The Hero with a Thousand Faces, Campbell described the basic narrative pattern as follows:

‘A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.'”

via