This is the Electronical Rattle Bag…

I’m Burningfp.

I work at BDH making CGI for television programmes, and in my spare time I play with animation.

There is a scrapbook where I collect interesting things I like from the internet, but there is some of my stuff here too.

There are some house rules.

The nature of what I do means there is often not much to show because I only finish a handful of things a year, therefore I tend to remain overly cagey about what I get up to. That is not deliberate, it’s just the way it turned out.

I intend to show a bit more of what I do here, personally and professionally, so for people following me for my excellent taste in people and art, be warned, there will be a substantial shift in quality of this feed.

I also tweet, Google+, and there is a Facebook page if you like that kind of thing.

If you need any work doing you can contact my employer.

Alternatively you can ask me questions here, or email me, if want to keep it secret (I don’t guarantee a response).

I wish all followers the very best for the next few weeks, I know late December can be unbearable for some people, for so many different reasons. Try to believe in yourself and don’t let people control how you feel. Do that and we should all get through it in one piece.

Kind Regards.

P
x

This Is Not Reality

reblogged form motleyglue:

“So about those Polar Bears. Let’s be clear; nature does not line itself up, all “raw” and “visceral” and hurl itself into our telly screens for consumption. It’sproduced; from the moment a documentary is concieved, it is contrived and constructed.

Okwonga’s angle typifies our habitual misconception and fetishisation of photo-reality as reality. (But this guy works in media? Don’t they immunise you against that on the first day?).  Reality, went. Ages ago.  And the line between photoreality and ‘CGI’ is pixel-thin, overlayed a few times and with a shed-load of blur to give the impression of depth of field.

(It’s all ‘enhanced’! Everything!! Look!!!)

OK that’s not so bad. What’s terrible is that anyone gives a monkey /polar bear/ whatever. Because in the REAL world, Cameron has left the UK floating up the Atlantic without a paddle, or a friend (except the US, but that’s ok cuz the dollar will never collapse, right?), and the inquiry into the really properly morally destitute media whores is re-opened.

I don’t subscribe to the theory of a singly masterminded conspiracy. But. When the media is so desperate to distract us from both what IS newsworthy, and from the stink of its own backfired distractions – with a well-timed soup of such cute fluff and contrived confrontation as would make Simon Cowell proud – the icky symbiosis of governance and media is horribly, scarily obvious.

The reality or honesty that I want from media is more fundamental than location or editing. If necessary, composite Cameron’s head onto some fuzzy bear cubs, and then lets have discussion and debate of something relevant to our interests.”

Silva rerum

Silva Rerum of Krassowscy (Ślepowron coat of arms) family from Ziemia Drohicka in Podlasie
Silva Rerum of Krassowscy (Ślepowron coat of arms) family from Ziemia Drohicka in Podlasie

In historical Poland [silva rerum] was written by members of the Polish nobility as a diary or memoir for the entire family, recording family traditions, among other matters; they were not intended for a wider audience of printing (although there were a few exceptions); some were also lent to friends of the family, who were allowed to add their comments to them. It was added to by many generations, and contained various information: diary-type entires on current events, memoirs, letters, political speeches, copies of legal documents, gossips, jokes and anecdotes, financial documents, economic information (price of grain, etc.), philosophical musings, poems, genealogical trees, advice (agricultural, medical, moral) for the descendants and others – the wealth of information in silva is staggering, they contain anything that their authors wished to record for future generations).”

via

– Report On The Construction Of Situations 1957

“A revolutionary action within culture must aim to enlarge life, not merely to express or explain it. It must attack misery on every front. Revolution is not limited to determining the level of industrial production, or even to determining who is to be the master of such production. It must abolish not only the exploitation of humanity, but also the passions, compensations and habits which that exploitation has engendered. We have to define new desires in relation to present possibilities. In the thick of the battle between the present society and the forces that are going to destroy it, we have to find the first elements of a more advanced construction of the environment and new conditions of behavior — both as experiences in themselves and as material for propaganda. Everything else belongs to the past, and serves it.”

Guy Debord

via feastingonroadkill