Reading in Late Summer.

I have several books on the go at once. I like print best, but these days it’s good to have a Kindle book on the phone for emergencies and an audiobook in the car. I read a lot of comics as well, it should be noted, though I can never get enough of them.

Recently finished:

boxers

Boxers/Saints by Gene Luen Yang (x) – I have mentioned this here before. Wonderful, beautiful, simple, complex. A very personal, magical realist take on the horrific events that unfolded in China at the turn of the century. It’s in two volumes so he could present a story from either side. The cross over like Moon Knight and Hulk. It made me want to read the Bibliography. Yes, basically.

The Mighty Avengers, Vol.5: Earth’s Mightiest (x) – I’ve been getting these superhero collections out for my son and pre-reading them to see if I approve. This was a bit complex for him, and not because the plot was difficult, but they’re using this form where each image is like an oil painting, but with huge amounts of text per panel. I would say it took me about twice as long to read a page of this as it would to read a page of prose. But, you know, I’m probably not in the target demographic. Also, someone needs to go back to Drawing Ladies school, sorry. Jeez.

Essential Avengers, Vol. 9 (x) – Again, proof reading this for the younglings. This is the era of stuff I probably read when I was their age. They both found it difficult to read. The removal of the colour destroys a lot of the composition, and flow, if these had been draw in black and white they would’ve used more black. Also the attitudes and culture in them is far too antiquated for a 10 year old. Why is everything like this? Makes you realise the world is making progress. But again interesting from my perspective, this contains the origin story of Quicksilver and Scarlet Witch, and the Vision just cracks me up. They really need to think about that colour thing when they reprint though. This stuff is meant to be for kids. HELP THEM.

The Push Man and Other Stories by Yoshihiro Tatsumi (x) – Interesting from a technical point of view of layout and story structure, execution of plot in short form etc. But, yes, content bleaker than bleak. the violence, hatred and misogyny drips off the page and kinds of nullifies any benefit mentioned earlier. Wasn’t prepared to recommend it to anyone I know. In the preface Tatsumi asks not to judge him on these early works alone. Almost interested enough to see what else he did, maybe.

My Man Jeeves by PG Wodehouse (x) – Ashamed to say this is my first Wodehouse. It’s taken me a while to get past the poshness. But worth it. Very pleasant. Although I felt slightly mugged by the stories about some other dude who also happens to have a butler.

Currently reading: Slaughterhouse Five (x), Written on the Body (x), The Brothers Karamazov (x), A Game of Thrones (x).

List of things.

1. Honeyblood

Heard this tune when walking past the radio at work, I only heard a few seconds and I was completely hooked. The album’s great (buy it). This track is called Choker, been listening to it a lot.

“This song is loosely based on a short story by Angela Carter called ‘The Bloody Chamber’.

Mostly, it’s about not letting anybody **** you around, even when they are trying to kill you. **** that ****.”

(via)

True to form I discovered them days after they had played Bristol. Curses.

2. Playlists/Cassettes

They don't make them like this anymore
They don’t make them like this anymore

I recently met a old and dear friend of mine, who I do not see enough of. We used to communicate with compilation tapes. So when he came over he brought a CD of stuff he was listening to. So I made one for him. I had completely forgot about he process of this, the rise and fall, does this song work well before that one, do those three tracks work well together. Listening to it over and over to see if it worked.

Does anyone do that anymore, apart from DJs. It’s a beautiful thing. We got Spotification and even iTunes before that eating that decision process up for us. I know there’s places like 8tracks still around for this, but still.

3. Facebook can be useful

I recently reposted 70/365 on my Facebook and it inspired an exchange of how it could be be transferred into film. These two classics were posted as a steer for the concept.

Fuji by Robert Breer

and Feeling My Way by Jonathan Hodgson

 

4. Boxers/Saints

Recently read Boxers/Saints by Gene Lueng Yang. It’s a two volume magical realist semi-history of the Boxer Rebellion in China in 1899. Each book is told from a different perspective. It’s very personal and manages to say a lot about history and what is remembered underneath the story itself which is compelling.

 

5. Somebody App

I’m not sure if I have mentioned this here before. Artist and writer Miranda July made a messenger app that, instead of sending a text direct to the recipient, will locate someone nearby using GPS and then gets them to pass on the message verbally. You can give instruction for emotional tone, and so on.
The actual app is here: http://somebodyapp.com/
and there is a rather crazy short on how it can be used here:

I’m currently on Android, so you can’t try on me.

6. Sprautumn

..and I decided to put my face on all my profiles, not sure if it’ll make people relax because I’m obviously a human or give them the spooks. I call it my Bat Country Portrait.

7. I remembered Vine

 

Then I forgot it again.

Coxy is still on telly. Don’t miss it.

Lynda Barry: 2013 National Book Festival

“Cartoonist Lynda Barry appears at the 2013 Library of Congress National Book Festival. Speaker Biography: Lynda Barry is a writer and cartoonist who lives in rural Wisconsin. She’s authored 19 books and received numerous awards and honors for her work, including two William Eisner awards, the American Library Association’s Alex award, the Washington State governor’s award, the Wisconsin Library Association’s R.R. Donnelly award and the Museum of Wisconsin Arts Lifetime Achievement Award. Her work has appeared in many publications, including The New York Times, Los Angeles Times, Vanity Fair, Esquire, Newsweek, Time, Salon, Mother Jones, Poetry Magazine and Tin House. She is currently assistant professor in interdisciplinary creativity at the University of Wisconsin-Madison and a Discovery Fellow at the UW Wisconsin Institutes for Discovery. Her new graphic novel is “The Freddie Stories.” For captions, transcript, and more information visit http://1.usa.gov/1shC4TC

Silliness

image

I appear to be talking myself into making comics again. This could be, and usually is, a terrible idea.
If anyone can stop this silliness please send help.
Biro, fountain pen, montage and general moments of weakness.
Notebook: Amand

I’m also thinking I might start making the posts on this site shorter.

Dragon’s Breath and other true stories by MariNaomi


Dragon’s Breath and other true stories by MariNaomi


Dragon’s Breath and other true stories by MariNaomi


Dragon’s Breath and other true stories by MariNaomi


Dragon’s Breath and other true stories by MariNaomi


Dragon’s Breath and other true stories by MariNaomi


Dragon’s Breath and other true stories by MariNaomi


Dragon’s Breath and other true stories by MariNaomi

 

reblogging: marinaomi:

“My boooooook!”

smallpresspreviews:

“Dragon’s Breath and other true stories

by MariNaomi

Published by 2D Cloud + Uncivilized Books

In this collection of thought-provoking, emotionally honest graphic vignettes, many of which first appeared on TheRumpus.net as the series “Smoke In Your Eyes,” MariNaomi explores a wide spectrum of topics including youthful rebellion, mortality, disillusionment, and compassion. These poignant stories, some filled with hope, others tinged with remorse, are sure to appeal to even the most discerning reader.

Publication Date: 9/30/14

“The book is utterly absorbing, funny, intimate, and even philosophical.”
Publishers Weekly

384 pages, 6” x 9” paperback with french flaps, black & white interiors.

$24.95 + shipping

Order here or here

Distributed by Consortium

Highly recommended.

Although comics can be funny, they can also be used to tell the most serious stories we know…

“I’ve come to think of a comic as being something like a song. It can really be about anything. We can address all sorts of things in a song —- love gone wrong, truck-driving daddies, smoking, racism, boots, birthdays, cheating, space travel, big butts, revenge, war, a turkey in the straw, regret, grandma’s hands, purple haze or mountains majesty —- in this same way we can make a comic about anything. In this class every kind of story is welcome. No matter the subject, it is welcome to find its own way into comic form.”

Lynda Barry

Codex Fejérváry-Mayer (Tezcatlipoca)


Codex Fejérváry-Mayer

The Codex Fejérváry-Mayer is an Aztec Codex of central Mexico. It is one of the rare pre-Hispanic manuscripts that have survived the Spanish conquest of Mexico. As a typical calendar codex tonalamatl dealing with the sacred Aztec calendar – the tonalpohualli – it is placed in the Borgia Group. It is a divinatory almanac in 17 sections.Its elaboration is typically pre-Columbian: it is made on deerskin parchment folded accordion-style into 23 pages. It measures 16.2 centimetres by 17.2 centimetres and is 3.85 metres long”


Codex Fejérváry-Mayer

The earliest history of the codex is unknown. It is named after Gabriel Fejérváry (1780–1851), a Hungarian collector, and Joseph Mayer (1803–1886), an English antiquarian who bought the codex from Fejérváry. In 2004 Maarten Jansen and Gabina Aurora Pérez Jiménez proposed that it be given the indigenous name Codex Tezcatlipoca, from the Nahuatl name of the god Tezcatlipoca (who is shown, with black-and-yellow facial striping, in the centre of its first page), although it is not certain that its creators were Nahuas.
It is currently kept in the World Museum Liverpool in Liverpool, England, having as its catalogue # 12014 M. It is published in Volume 26 of the series Codices Selecti of the Akademische Druck – u. Verlagsanstalt – Graz. It is believed to have originated specifically in Veracruz.”


Codex Fejérváry-Mayer

Codex Fejérváry-Mayer is an important cultural artifact from the pre-Cortes destruction of the Aztec capital Tenochtitlan. An Aztec Code from Central Mexico, it is one of very few manuscripts to survive the Spanish conquest. A typical calendar code (onalamatl), including an Aztec world calendar (tonalpohualli) – both part of a larger series of codes called Code Borgija – it’s design is characterized by pre-colombian influence. It’s made of parchment and chamois, and folded like an accordion, stretching over twelve feet long when unfurled.”


Codex Fejérváry-Mayer

The earliest history of the code is wrapped in darkness, it became known as Codex Fejérváry-Mayer after the Hungarian collector (Fejervaryju) and benefactor from Liverpool (Mayer) who acquired the piece. Most experts agree the true name was probably Code Tezcatlipoca, the name of the Nahuatl people’s god.”


Codex Fejérváry-Mayer

Codex Fejérváry-Mayer

Codex Fejérváry-Mayer

Codex Fejérváry-Mayer

Codex Fejérváry-Mayer

Codex Fejérváry-Mayer

Codex Fejérváry-Mayer

Codex Fejérváry-Mayer

via MagicTransistor