On Invisibility

“Beauty is always the result of an accident. Of a violent lapse between acquired habits and those yet to be acquired. It baffles and disgusts. It may even horrify. Once the new habit has been acquired, the accident ceases to be an accident. It becomes classical and loses its shock value.”

– Jean Cocteau

“An impression—city in peril—dead city—equestrian statue—men in closed room—clattering of hooves heard from outside—marvel disclosed on looking out—doubtful ending”

  1. Demophon shivered when the sun shone upon him. (Lover of darkness = ignorance.)
  2. Inhabitants of Zinge, over whom the star Canopus rises every night, are always gay and without sorrow. [x]
  3. The shores of Attica respond in song to the waves of the Aegean. [x]
  4. Horror Story
    Man dreams of falling—found on floor mangled as tho’ from falling from a vast height. [x]
  5. Narrator walks along unfamiliar country road,—comes to strange region of the unreal.
  6. In Ld Dunsany’s “Idle Days on the Yann”
    The inhabitants of the antient Astahan, on the Yann, do all things according to antient ceremony. Nothing new is found.
  7. “Here we have fetter’d and manacled Time, who wou’d otherwise slay the Gods.” [x] Horror Story
    The sculptured hand—or other artificial hand—which strangles its creator. [x]
  8. Hor. Sto.
    Man makes appt. with old enemy. Dies—body keeps appt.
  9. Dr. Eben Spencer plot. [x]
  10. Dream of flying over city. [Celephaïs]

Lovecraft’s Commonplace Book

Stan Brakhage – Comingled Containers (1996)

“Comingled Containers is an experimental short film by Stan Brakhage. “This ‘return to photography’ (after several years of only painting film) was made on the eve of cancer surgery – a kind of ‘last testament,’ if you will… an envisionment of the fleeting complexity of worldly phenomenon.””

“Commingled Containers is often interpreted in light of Brakhage’s health problems at the time, and is considered to represent the director’s own spiritual quest.  Scott MacDonald describes the film as “a talisman that expresses Brakhage’s determination to continue his spiritual quest and to offer viewers something of Light, despite his fear of mortality, for as long as it was given to him to remain in the flow of life.” R. Bruce Elder wrote that Commingled Containers, unlike most of Brakhage’s work, “remains a nearly organic (or biomorphic) abstraction across its entire length.””