“Picasso is the reason why I paint. He is the father figure, who gave me the wish to paint……Picasso was the first person to produce figurative paintings which overturned the rules of appearance; he suggested appearance without using the usual codes, without respecting the representational truth of form, but using a breath of irrationality instead, to make representation stronger and more direct; so that form could pass directly from the eye to the stomach without going through the brain.”
Art
ART: ɑːt (noun) 1. the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.
2. the various branches of creative activity, such as painting, music, literature, and dance.
“the visual arts”
Too Art for TV’s Experimental Film Exhibit Retrospective.

The Big Screen Project is pleased to present:Too Art for TV’s Experimental Film Exhibit Retrospective.
Opening reception TODAY April 14th 2011, 7pm. Indoor viewing at Food Parc and Public Plaza – 851 6th AveOutdoor viewing at 6th Ave Bet. 29th and 30th Streets
Big Screen Project (Chelsea, NY), in collaboration with Too Art for TV, is proud to host Too Art for TV: Experimental Film Exhibit Retrospective. 11 artists – some of whom have exhibited with Too Art for TV in the past, and some who are presently part of the exhibit Too Art for TV 5 (Williamsburg, Brooklyn), will screen together for one hour on Big Screen Project’s large open air screen in Chelsea, NY.
Too Art for TV is an annual fine art show for the animation industry. Experimental film has been part of Too Art’s vision since the exhibit started in 2006, but due to the crowded openings, Too Art’s film content can often times be difficult to experience. With Big Screen’s presentation of Too Art for TV’s Experimental Film Exhibit Retrospective, Too Art’s artists can enjoy a larger-than-life vehicle for their film and animation musings.
FEATURING:
Forest
by Eric LeiserRoz
by Brad MossmanTeenage Lovesong
by Conor O’Kelly LynchSpare Time
by Edmond HawkinsOK I’ll Let You Go
by Greg CondonAnimated Journal
by Paul GreerErodium II
by David MontgomeryAesthetic Species Maps
by David MontgomeryA Self Portrait 1981 – 2009
by Jimmy CalhounThe Bellows March
by Eric DyerArithmetic
by Laurie O’Brian
That’s tonight, Brooklyn people. They’ll be showing the Animated Journal amongst some other probably more excellent work.
If you’re in the neighbourhood please check it out.
Clevedon Pier
Too Art for TV – 5
Too Art for TV – 5
New York’s Fifth Fine Art Exhibit for the Animation Industry Group Exhibition
March 25th through April 23rd, 2011
Opens Friday March 25th, 6:30pm-9:30pm
at EREBUNI, 158 Roebling Street, Brooklyn, NY 11211 VIEWING HOURS: FRI 4-8pm, SAT & SUN 2-8PM
(via bunnycutlet)
featuring:
Martin Abrahams
Liz Artinian
Amanda Baehr-Fuller
Jennifer Batinich
Chris Beaumont
Robbie Busch
Jimmy Calhoun
Greg Condon
Kelly Denato
John R. Dilworth
Maya Edelman
Chris Fisher
Chris George
Paul Greer
Kaori Hamura
Jen Hill
KaNO
Christy Karacas
Peter J. Lazarski
Todd K. Lown
Richard Mather
Jessica Milazzo
Brad Mossman
Michael Mucci
Justin Offner
Laurie O’Brien
Chris Palesty
Deo Pangandoyon
Sasha Parmasad
Dan Pinto
Isam Prado
Lynne Pritchard
Chris Prynoski
Reject
Michael Ricca
Derek Rippe
Tim Shankweiler
Justin Simonich
Machi Tantillo
Martin Wittig
Unfortunately, I can’t make the opening night (got stuck in wrong continent), but I assure you it’ll be worth a visit if you are in the vicinity.
The Animated Journal will be showing sometime somewhere.
(cross posted from the Tumblr)
ask on curation & creation
mollybroxton asked:
Your comment on the post “math”: I appreciate it so much (as I’m sure you know, we never believe these things to be true about ourselves, believe that anyone is thinking this about us, we long to hear them spoken: “you are good”. I shall say it to you, now: “You are so good.”)! I have been getting a fair amount of positive feedback on photographs lately, which makes me nervous for myself– I already “abuse” photography when I am avoiding other output that takes more out of me, that requres more set-up, patience, affection, interest… I am really easily sucked in by the time-vacuum of social networking, and I promised myself that I would only use tumblr if it helped me create more work and share more output. So far (while it does, indeed, distract me for many more hours than I will readily confess), overall, I feel confident that I can say tumblr is still on the side of “I am inspired by this environment to actually produce and share more things than I would otherwis/ than I was previously”, but, ohhhh, it’s close to breaking even or slipping into too much looking and not enough making. I already feel (and have always felt) that (only for me, I do not feel and would never imply this about others) photography is a cop-out for me, a procrastination device, a lazy way to tell myself “it wasnt a total waste! See! I made something!” when I am avoiding more demanding work. When I get positive feedback on photographs, I feel a terrible mix of joy (of course I’m delighted! I want the vast “you” to like “it”), and shame (I wasn’t trying to deceive you; oh, wait… I was, in fact, trying to deceive you). And of course, the more photographs I make, the more I like them, and the more I start to believe that they are “legitimate”, or that it is legitimately time well spent (I’m exaggerating this, though. I have always enjoyed taking and fooling with photographs, and of course I don’t think that time spent doing something I enjoy is ever wasted. I think it is the passing that output off as art, to others or to myself, that scares me). I also worry that when I get such a quick high from feedback on something that requires so (relatively) little time, that I am kidding myself. But again, I have started to really care about some of the final images– they do make me feel something true, and this, too, makes me nervous. What I’m really saying to you is Thank You. And to myself, I am saying: “You promised yourself you would paint yesterday, and you did not. Stop whining about it and get your ass in gear, dear.”
I can relate to what you say, I tumble too much for my own good, and as my free time is scarce this has a huge impact on any personal animation I might be getting on with.
The photography you make, although not your main squeeze media wise, still exhibits the intelligences you have explored and developed in your painting. Colour theory, composition, story telling, these are all fully evident, although they may lack the attention you lavish on the painting. What I am saying is as a procrastination device, it’s a f***ing good one.
Animation is a similarly convoluted process and there can be so many aspects to it, it can be difficult to know where to begin.
Tumblr can be a huge distraction, but when I first started using it, it was after 3 years of looking after twin babies so I felt my artistic mojo had been erased, and being here and building this scrapbook helped restore that.
I’m not as productive as I would like to be, so many things get in the way, and the mechanisms complex, but seeing your pictures everyday is a huge inspiration and motivation to get my arse in gear.
Thanks.
Also: paint!
(cross posted from Tumblr)
Morning light across the valley from Tickenham.
The 6 minute Moleskine
An assembly manual by Burningfp.

1. You will need:
2 sheets good quality A4 paper (150 gsm is good)
1 piece of recycled cardboard (Stella beer box card is thin and strong)
2 standard staples
Scissors, ruler, pencil and stapler.

2. Fold the paper in half, then fold back the other way, this then should make it easy to tear in half with a neat edge.

3. Repeat so, in the end, each sheet bears 4 strips.

4. Repeat on the other sheet so you end up with 8 strips.

5. Fold them all together in half, making booklet.

6. Make sure that crease is nice and sharp.

7. Using the booklet as a guide measure out a rectangle on the card to act as a cover. Give it an extra 5mm in width and 10mm in length to accommodate the edges and spine thickness.

8. Cut out the card.

9. Making sure the edges are equal fold the cover around the booklet.

10. Using a thick carpet or plasticine as a base push two staple through the spine. Turn the book over and carefully bend the staples over as they should be, but use a tool, like a knife or something so you don’t damage your beautiful fingers.

11. You can even cut the corners rounded just to look classy.

12. Bingo, it’s flexible so will fit nicely in a back pocket, and is the perfect receptacle for notes on your next novel, concepts of social theory, life sketching, mind maps, crudely drawn genitalia etc etc.
(If this is a bit low rent for you, may I recommend the excellent Linda Boucher’s elegantly decorated actual moleskines available here.)
Enjoy!
bfp
x
(cross posted from my tumblr)
And Everything Is Going Fine
By A. O. SCOTT
NY Times Published: December 9, 2010
“Here is a description of some of the most innovative and important American theater of the last quarter of the 20th century. A man sits at a table and starts talking. If he has props, they are minimal — a spiral notebook, a record player, a box of pictures — and his costume is correspondingly modest, consisting usually of a flannel shirt, blue jeans or chinos, and sneakers. He speaks mostly about himself, digressing from anecdotes about his childhood and professional life into more serious confessional territory, though always with reserve and good humor.
When Spalding Gray, the man at that table, began performing his autobiographical monologues in the late 1970s and early ’80s — first as a member of the Wooster Group, then on his own — they felt radical and revelatory, like bulletins from newly discovered artistic territory. By 2004, when Mr. Gray committed suicide by jumping from the Staten Island Ferry, his work was a familiar and widely appreciated feature of the cultural landscape. He made occasional appearances in movies, television series and conventional plays, but his great role, his great project, was himself.”
via WolfAndFox
Saw “Swimming to Cambodia” when I was quite young and it made a huge impression on me, found & read transcriptions of his other performances (no internet). It hurt me when I found out that he had gone.
metotreksat asked:
what can by you define art?
An act of personal expression/communication, without further intent.




