Prints For Sale

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I’ve now put the three prints I have made from the 356 project for sale on Big Cartel.

They  are black and white, taken from super high resolution scan, signed and are on 160gsm A4 uncoated paper.

They are:

 

Print - "One Hour on the 11:30 from Bristol Temple Meads"
Print – “One Hour on the 11:30 from Bristol Temple Meads” – £5.00 plus shipping.
Purchase
Print - "Winter Saplings, Leigh Woods."
Print – “Winter Saplings, Leigh Woods.” – £5.00 plus shipping.
Purchase
Print - "Melrose Place, Clifton"
Print – “Melrose Place, Clifton” – £5.00 plus shipping.
Purchase

El Capitan OS and After Effects network issue.

Do not upgrade yet to El Capitan OS if you use After Effects a lot. When working on networked files it slows to an unworkable speed.

I’ve been on it for a while, but have only just noticed this as I’ve only been working in Maya recently and that is fine.

It appears to be a major issue involving smb sharing and whatnot. There’s some people discussing it here.

I’m just downloading an upgrade for AE now so will keep you informed.

The Comics Journal Review


Having a home holiday and digging around in the files, came across this cutting of when Scenes From The Inside, an anthology comic I was involved with in the ’90’s, got reviewed in the illustrious Comics Journal (kind of a Cahiers du Cinema for picture literature for those unfamiliar).

They talk about my 20 page insert “Kings of the Wild Frontier“, which was a documentation of the final performance piece by Bristol artist, Dan Eastmond.

The Comics Journal had a tough reputation, so being reviewed there and not getting completely mawled by them was quite the thing.

Intermittently Regular #365 Sketch Project Update 132-140 (Myrtle)

I was talking to a friend yesterday about this kind of regular drawing and discussing if it gets easier as you go, if there are any patterns or systematic ways of doing each drawing that makes it easier as you go. But I have found that if I try and emulate a previous success it usually ends with a weak picture or a mess.

With each one of these I feel like I am starting again from scratch, like an adventure, and the ones that work really well are often those where I end with something I wasn’t expecting when I began. They transcend my plan.

I would like to experiment with materials more but usually they are done on the fly when I just have a pencil and a Uniball in my pocket. The onion picture below I did at home so had various different media available.

Here’s a useful post about the use of a dip pen.

 

132/365 Beryl the patterdale terrier sleeping in the office. Uniball Micro. Notebook: Myrtle

133/365 Small collection of winterified pots down by Shed A, on another rainiest day ever. Pencil and Uniball micro 10 mins Notebook: Myrtle
134/365 Bowl of onions, Sunday afternoon. Kuretake multinibs, Sanguine oil sepia pencil, pencil and Uni-ball micro. 20 mins. Notebook: Myrtle
135/365 Desperate attempt at hamster cage. Feeling unwell, if that’s a excuse. 20 mins Uniball micro, Stabilo point 88, disappointment. Notebook: Myrtle
136/365 Occasional table. Still Ill. Pencil Notebook: Myrtle
137/365 Youngest trying out some animation on the big telly. Straight to V-Ball. 10 mins Notebook: Myrtle
138/365 Various vehicles parked throughout the day on Whiteladies Road. Pencil and V-ball. 5mins per car. Notebook: Myrtle.
139/365 People walking on Whiteladies Road. Cold Spring Day. Pencil and Uni-Ball. 10 seconds – 2 minutes per figure. Notebook: Myrtle.
140/365 Farm gate with distant golf course. 20 mins Pencil and Uni-ball. Notebook: Myrtle.

 

The Guest Directed Self Portrait Exhibition at the Experiment Comedy Gallery, Brooklyn March 8th 2016

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Dear People of New York, I have some work in this show taking place on Tuesday March 8th, 8pm @theexcomedy – 20 Broadway in Brooklyn.
I am unable to attend myself due to a very large body of water being in the way, but if you can manage to attend I can guarantee there’s some awesome work to see and excellent people to meet. 👌
(get there for 5:30 to also see Mic Against Humanity)

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see also”